From the Oscar-winning team behind Man on Wire comes the story of Nim, the chimpanzee who, in the 1970s, became the focus of a landmark experiment that aimed to prove an ape—if raised and nurtured like a human child—could learn to communicate using sign language. If successful, the consequences of the project would be profound, breaking down the barrier between man and his closest animal relative and fundamentally redefining what it is to be human. Combining the testimony of all the key participants, newly discovered archival film, and dramatic imagery, Project Nim tells the picturesque story of one chimpanzee’s extraordinary journey through human society and the enduring impact he makes on the people he meets along the way.
Filmmaker James Marsh returns to the Sundance Film Festival with an unflinching, unsentimental biography of an animal we tried to make human. What we learn about Nim’s true nature—and indeed our own—is comic, revealing, and profoundly unsettling. –Sundance Film Festival
James Marsh is a director of both documentary and narrative feature films. His most recent dramatic film, Red Riding: 1980, was released by the IFC in 2010. Marsh’s documentary Man on Wire premiered at the 2008 Sundance Film Festival, where it won the World Cinema Documentary Jury Prize and the Audience Award, and garnered the Academy Award for best documentary the following year. Marsh’s earlier work includes the feature film The King (Un Certain Regard, 2005 Cannes International Film Festival) and the documentary hybrid Wisconsin Death Trip. –Sundance
Infuriating and kinda devastating. A sad story about humans and chimps that says a lot about the world we live in and how people can't take responsibilities.
Herb Terrace: "I never regarded him as a child; I regarded him as a scientific project."
If there’s one thing I’ve learnt from the movies, it’s that you shouldn’t run a scientific project teaching sign language to a chimp if you know jack squat about chimps, sign language and the scientific method.
Strong showing for Margaret, Hugo and Moneyball.
"It says something that out of four feature-length films opening the 2011 Sundance Film Festival, the hottest ticket in town wasn't the celebrity