From the Oscar-winning team behind Man on Wire comes the story of Nim, the chimpanzee who, in the 1970s, became the focus of a landmark experiment that aimed to prove an ape—if raised and nurtured like a human child—could learn to communicate using sign language. If successful, the consequences of the project would be profound, breaking down the barrier between man and his closest animal relative and fundamentally redefining what it is to be human. Combining the testimony of all the key participants, newly discovered archival film, and dramatic imagery, Project Nim tells the picturesque story of one chimpanzee’s extraordinary journey through human society and the enduring impact he makes on the people he meets along the way.
Filmmaker James Marsh returns to the Sundance Film Festival with an unflinching, unsentimental biography of an animal we tried to make human. What we learn about Nim’s true nature—and indeed our own—is comic, revealing, and profoundly unsettling. –Sundance Film Festival
James Marsh is a director of both documentary and narrative feature films. His most recent dramatic film, Red Riding: 1980, was released by the IFC in 2010. Marsh’s documentary Man on Wire premiered at the 2008 Sundance Film Festival, where it won the World Cinema Documentary Jury Prize and the Audience Award, and garnered the Academy Award for best documentary the following year. Marsh’s earlier work includes the feature film The King (Un Certain Regard, 2005 Cannes International Film Festival) and the documentary hybrid Wisconsin Death Trip. –Sundance
Project Nim demonstrates that humans have the capacity to be as primitive and cruel as apes, and that chimps have the potential to communicate, empathize, and experience emotion like humans. I was impressed by the extent to which Nim was able to bond emotionally with the people he worked with, and the powerful guilt and sadness that some of them still had over leaving him behind.Bob Ingersoll's compassion was amazing
Strong showing for Margaret, Hugo and Moneyball.
"It says something that out of four feature-length films opening the 2011 Sundance Film Festival, the hottest ticket in town wasn't the celebrity