Proposta in quattro parti
Italy
1985
40 Min
Color, Black and White
1.33:1
Italian, German
Synopsis
Montage film for RAI 3 program “La magnifica ossessione” in four movements:
1) A Corner in Wheat (1909, D.W. Griffith).
2) Moses und Aron (1975), the end of the first act.
3) Fortini/Cani (1977), segment: I consigli comunali delle Apuane and C’è stato un modo
4) Dalla nube alla resistenza (1979), final dialogue of the first part: The Father and Son
Director
Danièle Huillet
Daniele Huillet was a German filmmaker best known for her close collaboration, so close that it is often uncredited, with Modernist director Jean-Marie Straub. According to Huillet, she is mainly in charge of sound and editing while her partner deals with camera work, but she also assists with script-writing and directing. The films of Huillet and Straub are usually based on and offer historical insight into high German literature or music. Films such as Chronik der Anna Magdalena Bach (1968) tend to be so intellectually demanding that they are rarely seen commercially, and are primarily to be found on the international festival circuits. Many of their works also tend to make strong political statements such as their examination of the Israeli-Palestinian conflict Fortini (1976).
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:95128)
Jean-Marie Straub
Filmmaker Jean-Marie Straub and Daniele Huillet, his wife and co-director, have become leading figures in New German cinema. Their films are not for passive viewers seeking light entertainment; films such as Not Reconciled or Only Violence Helps Where Violence Rules (1965) are intellectually demanding, and yet are among the most haunting films of German cinema. Prior to teaming up with Huillet, the French born Straub worked as an assistant to French directors such as Abel Gance, Jean Renoir, and Robert Bresson. He met and teamed up with Huillet in 1954. To avoid the draft, he fled to Munich, Germany in 1958 where they got involved with radical theater groups. By the early sixties he and his wife had become a prominent directors. They made their debut with the short Machorka-Muff in 1963. In 1968, their long-time friend Fassbinder appeared in The Bridegroom, the Comedienne and the Pimp. Straub and Huillet’s most famous film is Chronicle of Anna Magdalena Bach (1968). By the late ’60s… read more
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