Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the neighbouring farmers take against the unborn child, it’s her very survival that is threatened. –IMDb
London-born Nicolas Roeg served in the military as a projectionist, and entered the movie industry immediately after World War II as a gofer and apprentice editor. He joined MGM’s British studios in 1950, and eventually became a cinematographer in 1959, working on a multitude of films of all types, from second unit work on Lawrence of Arabia (1962) to primary photography on the rock & roll exploitation films Just for Fun (1963), Every Day’s a Holiday (1965), and The System (1966). He moved into the director’s chair with Performance (1970), which he co-directed with Donald Cammell, and made a major impression with the low-keyed, eerily compelling drama Walkabout (1971). By the mid-‘70s, Roeg was one of England’s most respected filmmakers, responsible for the unsettling thriller Don’t Look Now (1973), and the sci-fi drama The Man Who Fell to Earth (1976). With the possible exception Insignificance (1985) and the compellingly obscure Track 29 (1988) Roeg’s output throughout the 1980s… read more
It lacked the daring and singularity of Bad Timing, Don't Look Now and Eureka, and some of the acting was risible, especially Rita Tushingham, but I think it's an underrated film. Also the most effective and affecting use of Coil's music I've heard.
This film has some interesting ideas and moments and it certainly has actors who could really pull off a fine performance, but this one feels rather underwhelming, coming from Roeg, especially with the camera work, which doesn't really feel like his to be honest. Certainly he's getting up there (early 80s now) but fuck, I certainly hope he's at least got one great last one in him following this.