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Synopsis

A tough 50s crime melodrama in which the lines between cops and robbers, good guys and bad, are anything but distinct. Fred MacMurray leads a gang of cops assigned to track down a fugitive bank thief via the thief’s mistress (Kim Novak), whom they stalk with tape recorder and binoculars. MacMurray, lured by the money and the mistress, does away with the thief, but not in the name of duty. Starting out deceptively slow, the film rises to a high-pitched tension. —J.B.

Director

Original

Richard Quine

Richard Quine (November 12, 1920 – June 10, 1989) was an American stage, film, and radio actor and film director. Quine was born in Detroit. He made his Broadway debut in the Jerome Kern/Oscar Hammerstein II musical Very Warm for May in 1939 and appeared in My Sister Eileen the following year. His screen acting credits include The World Moves On (1934), Jane Eyre (1934), Babes on Broadway (1941), My Sister Eileen (1942), and Words and Music (1948), among others. At MGM he became friends with Mickey Rooney and later directed several of Rooney’s films.

During World War II, Quine served in the United States Coast Guard, He married actress Susan Peters in November 1943. After the war, he tried directing, first as co-producer and co-director on Leather Gloves (1948), with William Asher, before his first solo effort on the musical The Sunny Side of the Street (1951). His directing credits include Pushover (1954), My Sister Eileen (1955), Operation Mad Ball (1957), Bell, Book and Candle… read more

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DeJardinblum

10Dec11

Could be read as a critique of the innate misogyny of the crime genre and noir mode, as the film literally telescopes the female as spectacle and fetish while commenting ("You get out of a sweater what you put into it!") under male schema of control, but the destabilizing forces are, as always, tamed by the establishment of the domestic couple. Still, such a crystallization, embodiment of themes is recommendable.

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Daniel S.

11Nov11

30 July 1954: Premiere of Pushover. 1 August 1954: Premiere of Rear Window. I like this kind of coincidence. Both films are about voyeurism and both films are landmarks in their director's career. Pushover also marks Kim Novak's debut on screen and the first scene she's in deserves to stay in the Cinema annals; she comes out of a movie theater and enters right away in our personal film pantheon. Compared to hyperactive Dorothy Malone who lives in the adjacent apartment, Kim Novak really seems to move in slow-motion through the detectives' binoculars. Masterpiece.

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asuraf

26Oct11

Ten years after "Double Indemnity" Fred MacMurray is still a sucker for the blonds, this time Kim Novak, who recruits the dumbstruck cop to kill her boyfriend and steal his loot. Solid studio bound Columbia noir, well plotted and tense, despite the obvious ending.

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