Bizarrely has the reputation as 'lesser Fassbinder' (too stylized? too sexual? too queer?) but for me its his most ALIVE. A beautiful experience, erotic, melancholy, hilarious. The queers in this film are armed with switchblades, tough, violent, funny and refuse to be labeled, this is a delirious glimpse of what gay film could have been like before it went all bland, inoffensive, domestic and overly corporate.
I haven't read the novel, Querelle yet but I've read other Genet novels and I have to say that of all the movies based on his writing or written by Genet (including the short film Genet himself directed) this movie comes the closest at getting the atmosphere his prose and imagination created.
I often despair that that no one has been able to do Genet any justice on film. Both Fassbinder and Todd Haynes, huge Genet fans, have made left-of-center attempts that flopped spectacularly.
i finally got around to watching querelle. i'm not sure whether it is a masterpiece or whether it's absolutely terrible....it's bizarre how experimental it is, harking back to his earlier films and disregarding the later more conventional ones with everything but the visual fassbinder look which is taken to glorious new heights in this film, if only he had lived to be able to do the voiceover...
The film stands as an operatic labyrinth of nihilism and discovery, a prophetic externalization of Fassbinder's subjectivity: artist, murderer, lover. Though its breath seems restricted to the air of his work and life, its lungs are vast and loving and revelling at the end of a nightmare. In his own remarks on Querelle: "The ultimate goal of all human endeavor: to live one's own life."
I realized that when the sight of a 70 year old Jeanne Moreau singing an atrocious song set to Oscar Wilde's words actually provided me with a sense of comfort, I couldn't be converted in spite of Fassbinder's gargantuan efforts. Man, Rainer did not go gently into that good night.