This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her. Soňa, a nurse, divides her life between a dull marriage and a long-running affair with a doctor from the children’s ward. The movie, which the director himself has classified as a “woman’s film,” paints a detailed portrait of Soňa’s character and her personal crisis. Seeking and finding one’s self is the basic theme of this movie, and one the director explores only through his main female character. More generally, the film considers the plight of the individual trying to integrate, physically and spiritually, into modern society. —http://www.febiofest.cz
Dusan Hanák (April 27, 1938 in Bratislava) is a Slovak movie director.
Hanák graduated from the FAMU (Film and TV School of the Academy of Performing Arts) in Prague in 1965. He began with a series of shorts at the Koliba film studios in Bratislava. Several of them received awards, and so did his first feature film 322 (the code for cancer in medical records of diseases, 1969).
Hanák followed it with the still admired feature-length documentary Pictures of the Old World/Obrazy starého sveta (1972), partly a meditation on what lies hidden beneath the concept of “an authentic life”, a theme already addressed in 322. Although Hanák was treated with suspicion by the more repressive communist authorities that took over after the Warsaw Pact invasion of Czechoslovakia, he found an early refuge in a topic sufficiently removed from big politics to survive on the margins of official production and yet, executed with a finesse that gave it a wide international… read more