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Ramblers

Riarizumu no yado

Japan

2003

83 Min
Color
Japanese
  • Currently 3.0/5 Stars.
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DIR Nobuhiro Yamashita

PROD Yuji Sadai

SCR Kôsuke Mukai, Nobuhiro Yamashita

DP Ryûto Kondô

CAST Keishi Nagatsuka, Hiroshi Yamamoto, Machiko Ono, Masaaki Takakura, Takeshi Yamamoto

ED Yukibumi Josha, Nobuhiro Yamashita

PROD DES Takashi Uyama

MUSIC Quruli

SOUND Masashi Furuya

Synopsis

Two young men arrive at a deserted countryside train station. They are Tsuboi and Kinoshita, amateur filmmakers on their way to a meeting with a genuine film star who might be interested in appearing in their next production. Less than a minute after their arrival, a phone rings with the message that the actor will be late for the appointment. In fact he might not be able to make it that day at all.

Not intending to make the long trip home again, the two men wander around the small town, wait, spend the night and encounter a variety of eccentric oddballs, including a girl streaking on the beach. Joining them on their quest to kill time, she quickly finds her way into the two young men’s hearts, but she vanishes just as suddenly as she appeared. As their money dwindles, the quality of the men’s lodging decreases exponentially, and when the actor doesn’t show up at all, the question of how to return home rears its head. Never mind the question of what to do once they get there. —Midnight Eye

Director

Original

Nobuhiro Yamashita

Nobuhiro Yamashita (山下敦弘 Yamashita Nobuhiro?, born 29 August 1976) is a Japanese film director. Born in Aichi Prefecture, Yamashita attended Osaka University of Arts where he worked on Kazuyoshi Kumakiri’s Kichiku Dai Enkai. His graduation film Hazy Life, took the Off Theatre Competition Grand Prize at the 2000 Yubari International Fantastic Film Festival. He also won the award for Best Director at the 32nd Hochi Film Award in 2007 for A Gentle Breeze in the Village and The Matsugane Potshot Affair. He often works with the screenwriter Kōsuke Mukai. —Wikipedia 

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Kwame

31Oct11

So light and understated to the point of not even being there. This film also spends a little too much time luxuriating in its pace and style. Viewing 30 minutes of its 90 minute run time would suffice in getting the point across.

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