Wall
Displaying all 12 wall posts
Tony Zhou
26Feb12
I don't know how Audiard introduces characters so well: with just a few gestures and a couple scenes, I get a glimpse into a life. It's rare that I'm rooting for the protagonist so quickly and so completely in the opening moments of a film.
Aliya and Paddy Misfit like this
Hugo Resendiz Saldivar
27Jan12
Siempre considere a Vincent Cassel como un higadito, pero aqui realmente me sorprendio, creo que mucho se lo debe a la gran direccion de Jacques Audiard. Es una mezcla entre trhiller, trama de redencion e historia de amor, con cierta similitud a De battre mon coeur s'est arrêté.
Michele Andreoli
18Oct11
Vue maintenant, vraiment tres intéressante. quatre etoile a cette perle de Jacques.
Rahul
26Feb11
fantastic movie,screenplay is superb ,two lonely souls coming together ,as roger ebert says in his review that heist is just a macguffin,real thing is that 2 ppl attracted twrds each other and cmng to terms with their basic desires and needs ,loneliness of girl was depicted superbly,luking naked in mirror at her body,mind blowing shot ,i think audiard hit a triple in row last decade with this one ,beat ,prophet ,
Bambang N Karim
1Feb11
Not only has that the “Sur mes lèvres” represents the success of compendium film elements, but also a clever exploration of the “other style” of communication idea into a film. So, beside what you will see is an unpredictable plot film, you will also be provoked with an engrossing sound art like the sound of photocopy machine, spilled drinks, and clamor, etc – all presented in a dual point of view.
Addiena of Mubi land
20Sep10
Audiard never seems to disappoint me. A WOOT indeed, and a whole lot more!
