The lengthy siege of Leningrad during World War II cost a million civilian lives. In Alexander Sokurov’s documentary, various people – actors, journalists, students, soldiers – read eyewitness accounts about this ‘historic and cultural disaster’, to use Sokurovr’s words.
In Reading Book of Blockade, Alexander Sokurov allows various people – actors, journalists, school children, students, soldiers – to read parts from the famous book by Alexander Adamovich and Daniil Granin about the siege of Leningrad. The city was besieged during World War II by the Germans and the blockade lasted 900 days – from September 1941 to January 1944 – and resulted among other things in great starvation in the city. The long siege is estimated to have cost one million civilian lives, but the Germans did not manage to break the tough Russian resistance.
When reading eyewitness reports of survivors about the bloody battle and the suffering, some readers in Sokurov’s documentary become very emotional. Sokurov says he thinks the events are at least as tragic and terrible as the atom bombs on Hiroshima and Nagasaki; the siege was, in his opinion, an ‘historic and cultural disaster’. His film contains stunning archival footage of the siege. —Rotterdam Film Festival
Alexander Nikolayevich Sokurov (Russian: Алекса́ндр Никола́евич Соку́ров) (b. June 14, 1951, Podorwikha, Irkutsk Oblast) is a Russian filmmaker from St Petersburg who has been hailed as successor to renowned director Andrei Tarkovsky.
Sokurov was born in Siberia in the officer’s family on June 14, 1951. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he made friends with Tarkovsky and was deeply influenced by his Mirror.
Most of Sokurov’s early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with Aleksandr Solzhenitsyn and a reportage about Grigori Kozintsev’s flat in St Petersburg.
Mother and Son (1996) was his first internationally acclaimed feature film. It was mirrored by Father and Son (2003) which baffled the critics with its implicit homoeroticism (though Sokurov himself has criticized… read more