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Reconstruction

Denmark

2003

91 Min
Color
2.35:1
Swedish, Danish
  • Currently 4.0/5 Stars.
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DIR Christoffer Boe

PROD Tine Grew Pfeiffer

SCR Christoffer Boe, Mogens Rukov

DP Manuel Alberto Claro

CAST Nikolaj Lie Kaas, Maria Bonnevie, Nicolas Bro, Krister Henriksson, Peter Steen, Ida Dwinger, Malene Schwartz, Klaus Mulbjerg, David Dencik

ED Peter Brandt, Mikkel E.G. Nielsen

PROD DES Martin de Thurah

MUSIC Thomas Knak

Cannes (Semaine de la critique): Caméra d'Or, Prix Regards Jeune, Telluride

Synopsis

Winner of the Cannes “best-debut” prize, director Cristoffer Boe’s Reconstruction is a twisty and entertaining urban love story that plays with form and style in ways that will surprise you and keep audiences talking for a long time. –Palm Pictures

Director

Original

Christoffer Boe

Christoffer Boe (born 1974) is a Danish film director and screenwriter. He is an established and well-known not only in Denmark, but all through the world. Among his international awards there are FIPRESCI Director of the Year at San Sebastián International Film Festival and Golden Camera at Cannes Film Festival in 2003. He is also co-founder and director of the film production company AlphaVille Pictures Copenhagen.

Boe was born in Rungsted just north of Copenhagen, Denmark. After school in Denmark, he went to study the history of cinematography in Indiana University in Bloomington, USA. Then, he continued his studies in Copenhagen University. In 1997 he decided to go deep into movie making and was accepted at the National Film School of Denmark director’s course.

During that time he directed a trilogy of short films: “Obsession” (1999), “Virginity” (2000) and “Anxiety” (2001). They were 20 to 30 minutes long and starred Maria Bonnevie and Nikolaj Lie Kaas. They’re all… read more

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luciano.savoy

28Feb13

"Todo es ficción. Es una reconstrucción. Pero aún así, duele."

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DT

28Nov12

Unsure what to extract. On one hand, Boe’s presented meta-film - a construction - proffers an enigma of endless outcomes in its overlaying paths, characters and romance (recalling Hong’s Virgins Stripped Bare). On the other, its emotions dance with heartstring banalities, amidst Boe’s glorified, versatile but patchwork formal arsenal, until reigning opacity, on the part of its surrealist final (re)construction, prevails. Resultant non-effect of its broader lessons; or, perhaps Boe’s constructs have merely flown this coop. Allegro awaits.

Picture of Lights in the Dusk

Lights in the Dusk

2Oct12

A mournful love story that continually deconstructs its own narrative in an attempt to find the truth behind the clichés, reminding us - via its third-person narration, or through a series of jarring ruptures that recall the Godard of Le Mépris (1963) - that all cinematic emotion is artificial, but no less affecting. These characters, created to express someone else's sadness, become conscious that they are at the mercy of others; that their loves and failures are there for a viewing audience, capable of receiving love, but incapable of expressing love in return.

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no past land

22Aug12

That's how it always ends. A bit of magic, a bit of smoke. Something floating.

Kristīne and 3 others like this

Katie Evans, sfwood, Gizem Bayıksel

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RECONSTRUCTION (Personal Favorites) Review

By Twitchfilm.com on November 26, 2011
When I went to watch Reconstruction for the first time in theaters it were the numerous Lynch references that had drawn me to this film. And while the link between both is absolutely justifiable I’d be
read on Twitchfilm.com

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Restructured Love

By Glemaud on February 1, 2011

Generally when I watch a new film, I like to know what it’s vaguely about to prepare myself for what I’m about to watch. I needed to know what Blue Valentine was about, I needed…  read review

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