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Redacted

Canada, United States

2007

90 Min
Color
1.85:1
English, French, Arabic, German
  • Currently 3.0/5 Stars.
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DIR Brian De Palma

EXEC Mark Cuban, Todd Wagner, Laird Adamson, Gretchen McGowan

PROD Jason Kliot, Eric Schwab, Simone Urdl, Joana Vicente, Jennifer Weiss

SCR Brian De Palma

DP Jonathon Cliff

CAST Izzy Diaz, Rob Devaney, Ty Jones, Anas Wellman, Mike Figueroa, Kel O'Neill, Daniel Stewart Sherman, Patrick Carroll, Qazi Freihat, Adel Odai, Yanal Kassay, Dhiaa Khalil, Sahar Alloul, Happy Anderson, Zahra Zubaidi

ED Bill Pankow

PROD DES Phillip Barker

London (Film on the Square), Venice (Competition): Best Director

Synopsis

A montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war. –IMDb

Director

Original

Brian De Palma

Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers.

Born on the 11th of September in 1940, De Palma was born in New Jersey in an American-Italian family. Originally entering university as a physics student, de Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.

At first, his films comprised of such black-and-white films as Bridge That Gap (1965). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, de Palma made the comedic film Greetings (1968) starring Robert de Niro in his first ever credited film role. The two followed up immediately with the film The Wedding Party (1969) and Hi, Mom… read more

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Picture of João Pedro Tomás

João Pedro Tomás

17Feb13

too much fiction and dramatization for documentary purposes. Unfortunately, I caught this on TV and I only knew this was a Brian de Palma film afterwards, when the credits rolled. Nevertheless... it tries to document what isn't real. Reality in cinema is a question that has been put since its dawn, yet, so little was done in order to film reality as it is, and not as we think it is. The film misses that.

  • Picture of João Pedro Tomás

    João Pedro Tomás

    17Feb13

    PS: Of course the Iraq War and its atrocities are real but it's not that reality the film tries to capture. The shots try to prove they are effectively real, yet they miss their impact because there are too many cuts, too much directed drama. The film could be better if it tried to be what it is, pure fiction. Or, if it were pure transmedia, done objectively.

Picture of Mymosh the Selfbegotten

Mymosh the Selfbegotten

4Nov12

Abbott and Costello go to Iraq and get caught on camera in a series of bullying incidents. Murder, rape and various other hijinks ensue...

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rado

12Jan12

*redacted* Kathryn Bigelow

H. K. ‡ likes this

Picture of Westley

Westley

6Nov11

A good and unique anti-war film. Very underrated. Much better, in my opinion, than De Palma's earlier anti-war film, The Casualties of War.

H. K. ‡ and JHB like this

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Moralizing and the erotic relations between porn, cinema & the state stripped bare.

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A Property of Movies: A Conversation with Brian De Palma

By Daniel Kasman on October 1, 2012

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TIFF Report: REDACTED

By Twitchfilm.com on May 17, 2011
I find Brian DePalma’s latest film Redacted lurid, loud and uncomfortably entertaining. Though I was immediately taken to task for using “lurid” as a description (“That’s much too easy,” I was criticized
read on Twitchfilm.com

TIFF Report: REDACTED

By Twitchfilm.net on July 17, 2010
I find Brian DePalma’s latest film Redacted lurid, loud and uncomfortably entertaining. Though I was immediately taken to task for using “lurid” as a description (“That’s much too easy,” I was criticized
read on Twitchfilm.net

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Thèse ratée

By hubertg​uillaud on April 21, 2010

Thèse ratée – 02/02/2009

Dans ce docu-fiction, De Palma tente de faire un film à thèse et comme tout film à thèse trop appuyé, il se vautre dans l’absence de subtilité. Si le sujet pouvait paraître…  read review

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