Called by Ken Russell “the greatest science-fiction film since Metropolis,” controversial director Paul Verhoeven’s RoboCop is a special effects-laden cult phenomenon. The film features a resurrected and roboticized hero (Peter Weller) in a new, supercharged cyborg body, struggling to reclaim his memory and avenge his own death. Writtern by Edward Neumeier and Michael Miner, this film is a grown-up superhero fantasy come to vivid, bloody life. —The Criterion Collection
Paul Verhoeven graduated from the University of Leiden with a degree in math and physics. He entered the Royal Netherlands Navy, where he began his film career by making documentaries for the Navy and later for TV. In 1969 he directed the popular Dutch TV series Floris (1969), about a medieval knight. This featured actor Rutger Hauer who has appeared in many of Verhoeven’s later films. Verhoeven’s first feature, Wat zien ik (1971) (trans. What do I See?), was released in 1971. However it was his second, Turks fruit (1973), with its combination of raw sexuality and a poignant story line, that gained him great popularity in the Netherlands, especially with male audiences. When his films, especially Soldaat van Oranje (1977) and De vierde man (1983), received international recognition, Verhoeven moved to the US. His first US film was Flesh & Blood (1985), 1985, but it was RoboCop (1987) and especially Total Recall… read more
Robocop is actually a near-perfect film. The violence is not to some people's taste but I'd argue it is relevant to convey the dystopic, impending future, which - even after nearly 25 years - is truer to life than other fantastical visions of the future. It is not only a sci-fi action film, but also a critique of our own society albeit via a caricatured lens. In a sense it is satire of the highest form. Under-rated.
Also: Miriam Bale’s new film journal, Wavelength in LA and more.
"You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" —Dirty Harry (Don Siegel, 1971) *** "Dead or alive, you
To accompany the IFC Center’s inspired midnight movie series “Base Instincts: Verhoeven in the U.S.A.” I wanted to find something pretty special
Interesting look at 80’s style TV news coverage and advertisements trying to be near future news and ads. Good effects when it comes to Robocop, bad effects with the other evil security robot. Spurting… read review
from samuraipandapoetry.blogspot.com:
The violence, by today’s standard, is damn near cartoony. Listening to the filmmakers commentary, we hear that the violence was intentionally excessive… read review
I actually loved this film, it’s a sci-fi like no other, since it portrays a very vivid depiction of a dystopic Detroit form the near future. The city itself is what caught my eye the most, since you… read review