Wronke Prison, 1916. Social democrat Rosa Luxemburg faces a mock execution. Twenty years earlier, Rosa’s political gifts are acknowledged by everyone, as she struggles for democratic government in Germany and revolution in Poland. There she works closely with Leo Jogiches. Their political activity creates some difficulty for their personal relationship… As international tensions rise, Rosa makes speeches denouncing war and militarism. She seems too radical for her fellow Socialists. She meets Karl Liebknecht. When World War I begins, Rosa and Karl are united in opposition… –IMDb
Margarethe von Trotta (born 21 February 1942, Berlin) is a German film director and a member of the New German Cinema movement.
The child of Elisabeth von Trotta and painter Alfred Roloff, she relocated to Paris in the 1960s, where she worked for film collectives, collaborating on scripts and co-directing short films.
In her early career, von Trotta was an actress, appearing in notable films of directors Fassbinder and Volker Schlöndorff. In 1971, she divorced her first husband to marry Schlöndorff. A few years later she presented her first feature film.
Von Trotta, often featuring prominent female characters, has become the foremost female director working in Germany. She is a Professor of Film at the European Graduate School in Saas-Fee and remains an important personality of German cinema. Von Trotta and Schlöndorff split in 1991. —wikipedia
She’s been called “narrative cinema’s foremost feminist filmmaker,” but of course, she’s also simply a great director.