When Ruth’s husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house – Ruth’s cousin – with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth’s daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena’s story. –IMDb
Margarethe von Trotta (born 21 February 1942, Berlin) is a German film director and a member of the New German Cinema movement.
The child of Elisabeth von Trotta and painter Alfred Roloff, she relocated to Paris in the 1960s, where she worked for film collectives, collaborating on scripts and co-directing short films.
In her early career, von Trotta was an actress, appearing in notable films of directors Fassbinder and Volker Schlöndorff. In 1971, she divorced her first husband to marry Schlöndorff. A few years later she presented her first feature film.
Von Trotta, often featuring prominent female characters, has become the foremost female director working in Germany. She is a Professor of Film at the European Graduate School in Saas-Fee and remains an important personality of German cinema. Von Trotta and Schlöndorff split in 1991. —wikipedia