In ‘Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950’s New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner’s music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near. —IMDb
One of France’s premiere directors, screenwriters, and producers, Bertrand Tavernier is renowned for making dramas encompassing themes as diverse as familial relationships, World War I, and contemporary social ills. Regardless of the subjects they explore, Tavernier lends his films great introspection and humanity, something that has established him as one of the French cinema’s more progressive and compassionate figures.
Born in Lyon on April 25, 1941, Tavernier grew up with a love of film and wanted to be a director from the age of 13. He was particularly influenced by such American directors as Joseph Losey, John Ford, Samuel Fuller, and William Wellman, and – during a spell at the Sorbonne, where he studied law – he became involved in the film industry as an assistant director for Jean-Pierre Melville. Tavernier became then a film critic and worked for prestigious publications as Positif and Cahiers du Cinema. His first feature film, L’Horloger de St. Paul (1974), received international… read more
Brilliant film, especially if you like jazz. The character Dale Turner is based on Lester Young and Bud Powell, with the plot drawn mostly from the memoir "Dance of the Infidels: A Portrait of Bud Powell" by Bud's most ardent fan, Francis Paudras.