Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by cruise ship where Ellen meets and becomes involved with Lord John Brindale. This causes her to miss a rehearsal. Tom (Astaire) uses the time to dance with a hat rack and gym equipment. Later Tom and Ellen attempt a graceful dance number as the ship rolls. Upon arrival Tom holds auditions and meets Sara. There is much indecision by the siblings about their romantic partners even though they are in-the-clouds. Tom dances on the walls and ceiling of his hotel room. All ends well in this light musical. By the way, there is a vaudeville-style dance number in their show that features slapstick. It’s a hoot. —Paul Corr
Stanley Donen (born April 13, 1924) is an American film director and choreographer hailed by David Quinlan as “the King of the Hollywood musicals”. His most famous work is Singin’ in the Rain (1952), which he co-directed with Gene Kelly.
Donen started at Metro Goldwyn Mayer as a choreographer and dancer in Best Foot Forward (1943) with Lucille Ball. Donen appeared with Kelly in Cover Girl (1944) for Columbia Pictures, for which Donen also directed a sequence of Kelly dancing with his double on a darkened Manhattan street. His first chance to direct an entire movie was an adaptation of the Comden and Green musical about sailors on leave in New York City, On the Town (1949), with some songs by Leonard Bernstein, which Donen co-directed with Gene Kelly. This was the first movie musical to be filmed on location.
With Kelly again, Donen co-directed Singin’ in the Rain (1952) and by himself directed such classics as Royal Wedding (1951), where Donen directed Fred Astaire dancing… read more
"Two Late Now" is a great ballad and the way it is shot by Robert Planck and directed by Stanley Donen and sung by Jane Powell does it full justice.
The photo accompanying this ROYAL WEDDING page—which shows Astaire with Vera-Ellen, not Jane Powell—is actually a still from THREE LITTLE WORDS (1950).