Xavier is now thirty. No longer a student, he is not yet a well-balanced, fulfilled adult either. His career is unsatisfying: Far from being the renowned novelist he aimed to be he must be content with little jobs such as reporter or ghost writer. His greatest “achievement” in “literature” is his collaboration to the script of a corny TV soap! His sentimental life is not much better, rhythmed by one night stands and unfinished romances. It looks as if when he seduces a woman beautiful outside and inside such as Kassia or Wendy he can’t keep them. Will he ever bring his life into focus? –IMDb
Cédric Klapisch is one of today’s most popular French Director and his movies have regularly hit the French box office. Born in 1961, he worked on his first short films in the United States from 1983 to 1985. He started out as a DOP to finally become a film director. In 1989, his short film Ce qui me meut wins several prizes, one being the Perspectives of French Cinema Prize at the Cannes International Film Festival. He then directs his first feature in 1992, Little Nothings, which was nominated for the Cesars. His second, Good Old Daze, wins the 1993 Golden FIPA and Grand Prize at the 1994 Chamrousse Humour Film Festival.
In 1996, When the Cat’s Away is released, followed by Family Resemblances, his fourth feature which is awarded numerous prizes including three Cesars and the 1997 Lumière for Best Screenplay and Best Director. Maybe, starring Romain Duris and Jean-Paul Belmondo, is released in French cinemas in 1999. In 2002, Klapisch comes back to social comedy with The Spanish… read more
don't know why a man i used to know had a high opinion about this one. i think the story itself is pointless. just a guy in his late 20s trying to figure out who he want to fuck for the rest of his life. i am more than sure he won't ever find it. sorry, i don't like stories like these. give me inspiration
Just like L'Auberge he repeats songs quite a bit, but at least he picks some good'uns. They did a good job of presenting the "Russian dolls" concept at the end of the film, and it does make you wonder the answer to that question. A stylish film, to be sure. I'd probably watch another one if they make a trilogy out of it. Getting a bit tired fo Romain Duris, though.
Feliz seqüência do hit ALBERGUE ESPANHOL, superior ao filme original em sua leveza e simpatia. Tanto a direção quanto o roteiro de Klapisch estão mais enxutos e o cineasta utiliza bem as angústias do protagonista para refletir com otimismo sobre as possibilidades de comunicação dentro do processo de globalização. Faz isso com bom humor e elegância. O elenco secundário do filme anterior também está de volta.
A bit better than "L'auberge espagnole" in terms of cinematography and music, but not much else. The character development wasn't as contrasted as in the first one, and the premise as a whole was ill-conceived. The characters as a whole, however, are still likeable.
A good sequel to “L’auberge espagnole”, however I think I prefer the first one more because I could relate to it more.
In this film they are all in their 30s, working on their careers and growing… read review