Ruthless People

United States

1986

93 Min

Color

1.85:1

English

Currently 3.0/5 Stars.
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DIR Jim Abrahams, David Zucker, Jerry Zucker

EXEC Joanna Lancaster, Richard Wagner, Walter Yetnikoff

CAST Danny DeVito, Bette Midler, Judge Reinhold, Helen Slater, J.E. Freeman, Anita Morris, Bill Pullman, William G. Schilling, Art Evans, Clarence Felder

With college friends Jerry and David Zucker, Jim Abrahams is co-founder of the Kentucky Fried Theater in Madison, Wisconsin, in 1969. ZAZ (as they came to be known) subsequently moved their satirical group to Los Angeles and set up a theater there. They made their first venture into feature filmmaking with “The Kentucky Fried Movie” (1977). Directed by John Landis, the film was a memorable series of absurd, vulgar and (mostly) wildly funny send-ups of popular culture. Most of their subsequent work has been in a similar vein. “Airplane!” (1980), “Top Secret!” (1984) and “The Naked Gun” (1988) pay satirical homage to, respectively, the disaster film, the spy film and the police film. Trademark features include scattershot pop culture allusions, rapid-fire anything-for-a-laugh gags, and rugged, but notoriously stiff, second echelon actors from the 1950s (e.g., Robert Stack, Leslie Nielsen, Peter Graves).

Like his creative partners, Abrahams has ventured into a solo career as a writer… read more

With college friends Jerry and David Zucker, Jim Abrahams is co-founder of the Kentucky Fried Theater in Madison, Wisconsin, in 1969. ZAZ (as they came to be known) subsequently moved their satirical group to Los Angeles and set up a theater there. They made their first venture into feature filmmaking with “The Kentucky Fried Movie” (1977). Directed by John Landis, the film was a memorable series of absurd, vulgar and (mostly) wildly funny send-ups of popular culture. Most of their subsequent work has been in a similar vein. “Airplane!” (1980), “Top Secret!” (1984) and “The Naked Gun” (1988) pay satirical homage to, respectively, the disaster film, the spy film and the police film. Trademark features include scattershot pop culture allusions, rapid-fire anything-for-a-laugh gags, and rugged, but notoriously stiff, second echelon actors from the 1950s (e.g., Robert Stack, Leslie Nielsen, Peter Graves).

Like his creative partners, Abrahams has ventured into a solo career as a writer-director, making his directing debut with the slightly more restrained and traditional comedy, “Big Business” (1988) which presented Bette Midler and Lily Tomlin as a pair of identical twins. He served as executive producer to John Water’s “Cry Baby” (1990), a sweet-natured musical comedy homage to 50s juvenile delinquent dramas and the mystique of the teen rebel. His next solo effort, “Welcome Home, Roxy Carmichael” (1990), was a darker change-of-pace comedy featuring Winona Ryder as an outcast teen. Abrahams enjoyed his first solo hit with “Hot Shots!” (1991), an inspired spoof of “Top Gun” and other military flyboy movies. He expanded the parody to include “Rambo” and other commando rescue sagas in the sequel, “Hot Shots! Part Deux” (1992).

Abrahams helmed a well-received 1997 TV-movie, “. . . first do no harm” (ABC), which featured Meryl Streep. The telefilm’s subject was close to the director’s heart: focusing attention on a controversial dietary treatment for epilepsy. Abrahams’ son Charlie suffers with the disease and responded well to the diet. —tcm

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David Zucker

With his younger brother Jerry and high school pal Jim Abrahams, David Zucker is responsible for a series of corny, but often hilarious, spoofs of popular movie genres. The Zucker brothers first collaborated on comic Super-8 films they made as they were growing up in suburban Wisconsin. After completing studies at the University of Wisconsin, he and his brother teamed with Abrahams to form the multi-media troupe Kentucky Fried Theater, which combined live-action with video and film. Relocating to L.A. in 1972, the trio opened a West Coast branch of their show and over a four year period became a critical and audience success.

The three raised enough money to finance a collection of short parodies that became the raunchy indie “The Kentucky Fried Movie” (1977). The team, often referred to as ZAZ, first enjoyed mainstream success with “Airplane!” (1980), a gag-filled parody of disaster epics that successfully cast such stalwarts as Lloyd Bridges, Peter Graves, Robert Stack and… read more

With his younger brother Jerry and high school pal Jim Abrahams, David Zucker is responsible for a series of corny, but often hilarious, spoofs of popular movie genres. The Zucker brothers first collaborated on comic Super-8 films they made as they were growing up in suburban Wisconsin. After completing studies at the University of Wisconsin, he and his brother teamed with Abrahams to form the multi-media troupe Kentucky Fried Theater, which combined live-action with video and film. Relocating to L.A. in 1972, the trio opened a West Coast branch of their show and over a four year period became a critical and audience success.

The three raised enough money to finance a collection of short parodies that became the raunchy indie “The Kentucky Fried Movie” (1977). The team, often referred to as ZAZ, first enjoyed mainstream success with “Airplane!” (1980), a gag-filled parody of disaster epics that successfully cast such stalwarts as Lloyd Bridges, Peter Graves, Robert Stack and Leslie Nielsen against type. Reteaming with Nielsen, the Zucker brothers and Abrahams oversaw the cult hit “Police Squad” (ABC, 1982), a short-lived sitcom that parodied the cop drama. When the series premiered, few were prepared for its zany mix of slapstick, sight gags and puns and it last a mere six episodes.

Undaunted by their lack of small screen success, Zucker and company turned their attentions to the big screen again and fashioned the delightful spy spoof “Top Secret!” (1984), featuring Val Kilmer as an Elvis-like surfer battling Nazis and Communists in East Germany with the aid of the French Resistance. They followed with the above average comedy “Ruthless People” (1986) which showcased the abilities of Bette Midler, Danny De Vito, Helen Slater and Bill Pullman. The trio next brought to the screen a feature based on their TV sitcom. “The Naked Gun: From the Files of Police Squad!” (1988), which David Zucker directed solo, proved to be an hilarious romp headlined by the deadpan Nielsen. Its box-office success led to two sequels of varying quality. Atypically, Zucker served as a producer of the romantic drama “A Walk in the Clouds” (1995) before returning to form as co-scenarist and co-producer of the dopey “High School High” (1996), followed by a stint co-scripting and helming the raunchy flop “BASEketball” (1998), with “South Park” creators Trey Parker and Matt Stone attempting to launch a new sport. In 2000 he served as the producer of the short-lived TV series “Absolutely True” and was one of the producers of the surprise hit thriller “Phone Booth” (2002), and 2003 saw the release of his next behind-the-camera effort, the uneven “My Boss’ Daughter,” which sat on the shelf for two years before the sudden heat behind star Ashton Kutcher’s career prompted a release. Zucker returned to more familair territory when he assumed the directorial helm of “Scary Movie 3” (2003), following the departure of the Wayans brothers from the franchise. Veering into film genres beyond the horror conventions the fist two films sent up, Zucker breathed new life into the franchise and, even before the film was released, was tapped to steer the fourth installment. —tcm

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Jerry Zucker

Along with his directing partners Jim Abraham and brother David Zucker, Jerry Zucker all but revolutionized comedy in the 1980s, starting with arguably the most famous cinematic parody, “Airplane!” (1980). Prior to that surprising commercial success, Zuckers and Abraham wrote the cult classic, “Kentucky Fried Move” (1977), an uproarious comedy of unconnected sketches that skewered kung-fu movies, exploitation films and public service announcements. After “Airplane,” Zuckers and Abraham made a failed attempt at television with “Police Squad!” (ABC, 1982), before bouncing back on the big screen with “Top Secret!” (1984). With the trio going their separate ways, Zucker began making more mainstream movies, directing “Ruthless People” (1986) and the surprisingly romantic drama, “Ghost” (1990), starring Patrick Swayze and Demi Moore. He also turned “Police Squad!” into the successful film franchise, “The Naked Gun – From the Files of Police Squad!” (1988) before helming “First Knight” (1995… read more

Along with his directing partners Jim Abraham and brother David Zucker, Jerry Zucker all but revolutionized comedy in the 1980s, starting with arguably the most famous cinematic parody, “Airplane!” (1980). Prior to that surprising commercial success, Zuckers and Abraham wrote the cult classic, “Kentucky Fried Move” (1977), an uproarious comedy of unconnected sketches that skewered kung-fu movies, exploitation films and public service announcements. After “Airplane,” Zuckers and Abraham made a failed attempt at television with “Police Squad!” (ABC, 1982), before bouncing back on the big screen with “Top Secret!” (1984). With the trio going their separate ways, Zucker began making more mainstream movies, directing “Ruthless People” (1986) and the surprisingly romantic drama, “Ghost” (1990), starring Patrick Swayze and Demi Moore. He also turned “Police Squad!” into the successful film franchise, “The Naked Gun – From the Files of Police Squad!” (1988) before helming “First Knight” (1995) and “Rat Race” (2001). In between, Zucker produced “A Walk in the Clouds” (1995) and “My Best Friend’s Wedding” (1997). Though he shied away from directing later in his career, and in fact took a large step back in general, Zucker remained an instantly recognizable name as one of the most influential figures in the history of comedy.

Zucker was born March 11, 1950 in Milwaukee, WI, younger brother by three years to future creative partner, David Zucker. Even in childhood, the Zucker boys and friend Jim Abraham were fans of comedy – Mad Magazine in particular. While at Shorewood High School, the brothers put on funny plays and sketches and participated in student variety shows. At the University of Wisconsin, Zucker majored in education, even teaching high school for a year following his graduation, but he was always focused on entertainment. Soon enough, Zucker and his brother reconnected with Abraham, who had founded the now-legendary comedy troupe, Kentucky Fried Theater. In 1972, they moved the operation to Los Angeles, with aspirations to be on “The Tonight Show with Johnny Carson” (NBC, 1962-1992). By 1977, the group had gathered enough steam and the attention of Hollywood that they were able to drum up financing for “The Kentucky Fried Movie” (1977), directed by future “National Lampoon’s Animal House” (1978) director John Landis.

A wacky cult classic, “Kentucky Fried Movie” established not only Landis, but the trademark Zucker-Abraham-Zucker style: dry delivery of absurd lines, sudden sight gags, and running jokes which often played out in the background. One particular segment of the film, “Fistful of Yen,” was a parody of the Bruce Lee film, “Enter the Dragon,” and was a forerunner to their next project, “Airplane!” Having enjoyed the ultra-serious action thrillers from the 1940s and ‘50 for their unintentional comic value, Zucker and his partners decided to focus on one in particular: “Zero Hour” (1957), starring Sterling Hayden. They optioned and essentially adapted its story of an airliner which loses its pilots and some passengers to fatal food poisoning, recrafting the story as a modern parody. They then struck upon the then-bold concept of hiring non-comic actors – such as Leslie Nielsen, Robert Stack and Lloyd Bridges – and instructing them to recite their lines with deadpan seriousness. Despite initial misgivings by the studio, the trio was able to make the movie they wanted to make, but with one snag: a technicality with the director’s guild that prohibited three directors from taking official credit for a movie. To skirt the issue, Zucker legally changed his name, enabling the final credits to read, “Directed by Zuckers and Abrahams.” He would later change his name back to the singular.

Coming off that enormous success, the trio’s next foray moved to the small screen with “Police Squad!” (ABC, 1982), reuniting with Nielsen, now in the role which would truly make him famous – that of bumbling Lt. Frank Drebin. Debuting in the spring as a midseason replacement, the TV show was too far ahead of its time and it lasted only six episodes. Zucker later said that the network was unsure how to handle the lightning-fast gags, which required audiences to pay close attention, as well as the lack of laugh track, which was supposed to let viewers know what was funny. After the minor setback, the Zuckers and Abraham ventured back into the familiar world of movies, writing and directing “Top Secret!” (1984). A curious combination of Elvis movies and spy flicks, the film, which starred Val Kilmer, was not much of a box-office draw at the time, but later earned a cult following among die hard Zucker-Abraham-Zucker fans.

After their latest big screen offering, the three decided to branch apart and direct separately. The brother team ventured from parody to farce with “Ruthless People” (1986), starring Bette Midler as a kidnapped diva and Danny DeVito as her rich husband who is thrilled with her capture and refusing to pay the ransom. One of the first releases for the Walt Disney Company’s new Touchstone Pictures, the film was a modest hit at the box office and developed a following on home video. Back reunited on their initial career path, the trio set their sites again on adventures starring the clueless Lt. Frank Drebin. With the release of “The Naked Gun: From the Files of Police Squad!” the film proved an enormously successful theatrical follow-up to the all-but forgotten TV series. Released in 1988, the film was the first solo directorial effort by David, while all three retained writing and producing credits. The film re-energized their careers and gave birth to the entire genre of topical movie spoofs – to say nothing of the longevity of beloved actor Nielsen – both of which continued well into the new millennium. The trio later wrote and executive produced the successful sequels, including “The Naked Gun 2½: The Smell of Fear” (1991) and “Naked Gun 33 1/3: The Final Insult” (1994).

In 1990, Zucker broke from his comedic partners for his own first solo outing, “Ghost,” starring Patrick Swayze and Demi Moore. The departure tapped into a fantastical romantic comedy zeitgeist and generated generous world-wide box office receipts. The film – which made Moore a star, also saw the return of the Righteous Brothers (“Unchained Melody”) back to the Billboard charts, and played a large part in increased pottery class attendance – was nominated for the Academy Award for Best Picture. While Abraham went on to create the action spoof series “Hot Shots!” starring Charlie Sheen, and David Zucker went on to breath new life into later installments of the “Scary Movie” franchise, Zucker continued with more mainstream projects. Further steering away from traditional comedies, Zucker directed the period summer action adventure, “First Knight” (1995), starring a hugely miscast Richard Gere, Julia Ormond and Sean Connery. He produced “My Life” (1993), starring Michael Keaton and Nicole Kidman; the misbegotten “A Walk in the Clouds” (1995), starring Keanu Reeves; and the mega-hit, “My Best Friend’s Wedding” (1997), starring Julia Roberts and Cameron Diaz.

In 2001, Zucker returned to the director’s chair with “Rat Race,” a kind of homage to mad cap scavenger hunt movies of the 1960s such as “It’s A Mad, Mad, Mad, Mad World” (1963). The film starred Cuba Gooding, Jr. and was a modest hit but critical miss. Zucker continued to have additional projects on deck as a producer, including a possible sequel to “My Best Friend’s Wedding.” After failing to shepherd his script for the superhero comedy “Esmerelda!” series (2007) past the pilot stage, Zucker returned to feature film producing following a long absence with “Fair Game” (2010), a little-seen political drama that depicted the real-life outing of CIA agent Valerie Plame (Naomi Watts) by the Bush Administration when her husband, Joseph Wilson (Sean Penn), wrote a damning op-ed debunking their case for war in Iraq. —tcm

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