A masterclass in framing. Carol's always surrounded by an all-encompassing void. Haynes refuses to give you a clear idea of where he stands regarding the second section, and I think that makes it even more unsettling; I'm not sure he has any answers. Even the closing frames can be seen either as liberating or nothing less than ironic. File it next to Antonioni's "Red Desert" as a superb take on modern alienation.
harrowing sterility. makes you feel as if nothing in the world is safe and nothing can comfort you.
One of the quietest horror films ever. Psychological horror that'll delve deep under your skin for days. Terrific direction and a great performance by Julianne Moore.
I have been LULLED into liking a film that, let's face it, is more than a little boring
I loved the film's long shots and sparse soundtrack without really chiming with the content. Because I don't really believe in New Age philosophy, I didn't know how to respond. Mike Spence's review helped: http://mubi.com/reviews/21223
I just saw this at the New Beverly Cinema in Melrose..it attracted quite an interesting crowd, distracting at times. But, I got in for six dollars, and considering the only DVD copy I could find of Safe is $120, I feel blessed to have seen this masterpiece.
The genius part about Carol White is how she elicits a complex spectrum of emotional response just by being empty at all times. You're mad at her uselessness. You pity her inability to have friends. You find her prissy cough a bit irritating. She needs a hug she doesn't deserve. Batshit. This is that rare minimalist film that unfolds into a messy and massive thing, like Miss Teen SC's sprawling answer to a simple Q.
Interesting subject. Really captivated throughout. Haynes succeeded in filming a ridiculous incurable disease into something serious and important. Great job Moore too!
the combination of claustrophobic silence and a haunting soundtrack, shots of edward hopper-ish loneliness and estrangement, her faltering manner to speak (and her 'speech' at the end) -- all of it creates such an eerie uncanny effect that i don't know why but i enjoyed the movie a lot.
From the Lynch-feel of the opening shot and the overall Badalamenti'sh musical style coupled with a very effective cinematography, I was deeply drawn into a creepy world that felt somehow like Repulsion or Rosemary's Baby. Something creepy is going on, but as a viewer you don't know what the menace is. The first hour was simply stunningly good, it's just a shame the second half was a bit underwhelming.
Wonderful. Not a single shot in the wrong place, Haynes does at hist best what a good filmaker has to do: telling things with the images. But Safe it's not just this, from the excellent (and scary) music score to a stunning performance by miss Julianne Moore, where everything concurs in recreating a creepy menace feeling from the very first photogram. Great movie.
Did David Lynch steal the opening of this film for Mulholland Drive? They are identical in every way - even the music!
Haynes made a far better movie here and then with Far From Heaven, which in retrospect is an easy pastiche of past times (fun, but more shy and less subversive than the actual 50's original ; and forget about the masterpiece by Fassbinder, a whole different universe of motivated expression of the social malaise). Haunting and better if you watch Safe three times at least.
A. RICHARD LANGLEY One of Haynes' best films, and definitely Moore's most mesmerizing--and disturbing--performance. Timely yet ahead of its time, the film, which echoes Antonioni's brilliant The Red Desert, is a disturbing take on one suburban woman's battle with her social, personal, physical, and mental deterioration that she blames on environmental and technological issues.