In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod’s long-absent stepdaughter. Herodias sees the king’s dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications… —IMDb
William Dieterle was the youngest of nine children of parents Jacob and Berthe Dieterle. They lived in poverty, and when he was old enough, William earned money as a carpenter and a scrap dealer. But he dreamed of better things. Theater caught his eye as a teen, and by the age of sixteen, he had joined a traveling theater company. He was ambitious and handsome, both of which opened the door to leading romantic roles in theater productions. Though he had acted in his first movie by 1913, not until 1919 did he move back into film. In that year, he was noticed by producer/director/designer/impresario Max Reinhardt, the most influential proponent of expressionism in theater; while in Berlin, Reinhardt hired him as an actor for his productions. Dieterle resumed German film acting in 1920, becoming a popular and successful romantic lead and featured character actor in the mix of German expressionist/Gothic and nature/romanticism genres that imbued much of the German cinema in the silent era… read more
Italian Rita Hayworth posters by the great cartellonista Anselmo Ballester.