Kitty runs a brothel in Nazi Germany where the soldiers come to “relax”. Recording devices have been installed in each room by a power hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the little ploy and with Kitty’s help plans to take on the dangerous task of exposing the conspiracy. –IMDb
Giovanni Brass (born March 26, 1933), better known as Tinto Brass, is an Italian filmmaker. He is noted especially for his work in the erotic genre, with films such as Così fan tutte (released under the English title All Ladies Do It), Paprika, Monella (Frivolous Lola) and Trasgredire.
Brass was born in Venice12. He is of Russian and Austro-Hungarian background. Throughout the 1960s and 1970s he created many avant-garde films, including Nerosubianco, L’urlo, and La Vacanza. However, he is best known for his erotic epics, Salon Kitty, The Key, Senso ‘45 and Caligula. The latter film was a collaboration with celebrated author Gore Vidal, Franco Rossellini and Penthouse magazine publisher Bob Guccione. However, many consider Caligula not to be a true Tinto Brass film since post-production was not handled by Brass. The director demanded that his name be stricken from the credits after Guccione inserted hardcore sex scenes and recut much of the film’s story and theme structure. Despite… read more
King of Erotica Tinto Brass imported respected Swedish actress Ingrid Thulin to add a touch of class to his international co-production based loosely (I would imagine) on a true story. She plays the owner of a Nazi brothel employing twenty specially selected women which is bugged by an SS officer greedy for power. It's certainly controversial and exploitative with acres of male and female nudity, but I kinda like it!
Exploitation cinema wearing it's Sunday Best. Decent production values cannot disguise the paucity of social or political comment which is a thin veneer for a pseudo-kinky parade of girlie-magazine smut. Probably Brass' most accomplished work but it quickly runs out of steam after a striking first thirty minutes: all exposition and little narrative drive.