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Salute to France

United States

1944

34 Min
Black and White
1.37:1
English, French
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DIR Jean Renoir, Garson Kanin

PROD Office of War Information

SCR Philip Dunne, Jean Renoir, Burgess Meredith

DP George Webber

CAST Burgess Meredith, Garson Kanin, Claude Dauphin

ED Marcel Cohen, Maria Reyto, Jean Oser

MUSIC Kurt Weill

Synopsis

Commissioned by the American Office of War Information in both English- and French-language versions, A Salute to France_/_Salut à la France (1944) are traditionally considered minor works of tangential importance to Renoir’s career. Yet a close reading of the films’ form and ideological content in relation to the director’s wartime correspondence suggests that they deserve to be remembered for their clever blend of acted sequences with newsreel clips, as a turning point in the cross-cultural identity crisis that Renoir worked through while in Hollywood, and as a quintessential expression of his politically engaged, international humanism. —atypon-link.com

Director

Original

Jean Renoir

The son of the painter Auguste Renoir, Jean Renoir became one of France’s most important and respected filmmakers during the middle of the 20th century. A Philosophy and Math student, Renoir became a cavalryman, but was invalided out of the army before World War I. Later, he married a model and aspiring actress, and, following the death of his father and the acquisition of an inheritance, set up his own production company to produce movies for his wife. Renoir learned from these early experiences of financing movies and watching other films, and became a director in 1924. With the advent of sound, Renoir’s career was quickly made with a series of profitable films, including La Chienne (1931), a savage and dark drama about a man’s self-destruction, which was later remade by Fritz Lang as Scarlet Street. Renoir’s subsequent films, including The Lower Depths (1936) and Grand Illusion (1937), were among the finest made in France before the war, and were well acknowledged at the time of… read more

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