Arthur (Albert Finney), one of Britain’s angry young men of the 1960s, is a hardworking factory worker who slaves all week at his mindless job for his modest wages. Come Saturday night, he’s off to the pub for a loud and rowdy beer session. With him is Brenda (Rachel Roberts), his girlfriend of the moment. Married to a fellow worker, she is nonetheless captivated by his rugged good looks and his devil-may-care attitude. Soon a new love interest Doreen (Shirley Ann Field) enters and a week later, Brenda announces she’s pregnant. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. By this time, his relationship with Doreen has ripened and Brenda, hearing of it, confronts him. He denies everything, but it’s obvious that their affair is all but over. —IMDb
Karel Reisz was born in 1926 in Czechoslovakia. He came to England in 1938 as a Jewish refugee, one of the six hundred children rescued by Sir Nicholas Winton. After attending Leighton Park School, he joined the Royal Air Force towards the end of the war. Both his parents died at Auschwitz. Following his war service, he read Natural Sciences at Emmanuel College, Cambridge, and began to write for film journals, including Sight and Sound. He co-founded Sequence with Lindsay Anderson and Gavin Lambert in 1947.
Reisz was a founder member of the Free Cinema documentary film movement. His first short film, Momma Don’t Allow (1955), co-directed with Tony Richardson, was included in the first Free Cinema programme shown at the National Film Theatre in February 1956.
His first feature film Saturday Night and Sunday Morning (1960) was based on the realist novel by Alan Sillitoe, and used many of the same techniques as his earlier documentaries. It won several BAFTA awards including the… read more
Probably 3 1/2 but I'm rounding up. Similar to Room at the Top in the sense its a film about another young bastard caught up between two women and being bad to them. No culture clashes in this one. Just lower middle class folks living it up & creating drama for themselves. A bit overlong and too on the nose at times especially at the start. Other than that, its a solid film & again great DP work by Freddie Francis.
Personal to me, the pitfalls of falling into a job and a bar lifestyle that at a young and impressionable age corners many men into the traps of aging. Modern to it's core.
"The author Alan Sillitoe has died aged 82," reports the BBC. "The Nottingham-born novelist emerged in the 1950s as one of the 'Angry Young