In Thai, sawasdee is a customary greeting that could mean either hello or goodbye. The country’s capital, Bangkok, is famous for its hospitality while also notorious for its nightlife and recent political turmoil. It is the dichotomies of these two words that, when combined, make the title of this omnibus film, Sawasdee Bangkok, so fitting.
Unlike the recent Paris, je t’aime and New York, I Love You, Sawasdee Bangkok is notable in that only Thai filmmakers were commissioned for the project, giving this omnibus work a much more intimate knowledge of its city. Moreover, the directors are not afraid to show the darker side of Thai society, from prostitution to poverty.
The first segment, Sightseeing, directed by Wisit Sasanatieng ( Tears of the Black Tiger, Citizen Dog ), is a magic-realist tale of a blind woman who longs to see the city in which she lives. Bangkok Blues from Aditya Assarat ( Wonderful Town ) follows an amusing account of two buddies, both of mixed nationality, and their awkward relationships with Thai women. One scene is particularly effective: a slow pan of a dilapidated playground accompanied by the recorded sounds of children. Kongdej Jaturanrasamee ( Midnight, My Love ) directs the melancholic third segment, Pi Makham. The title refers both to a ghost and to the prostitutes who roam an area called Sanam Luang Park each night. Finally, Silence by Pen-ek Ratanaruang ( Last Life in the Universe, Nymph ) tells the funny and poignant story of one woman’s drunken escapade with a friend. It leads to a chance encounter with a bizarre homeless man at two in the morning when her car breaks down in the middle of nowhere.
Together, these shorts by four acclaimed filmmakers form a surprisingly cohesive and entertaining whole – a rarity for an omnibus project. For those who have never been to Bangkok, this film is probably the cheapest way to experience the “land of smiles” without having to pay for a long-haul flight. And if you don’t crack a grin during the shorts, wait until you see the hilarious post-credit segment. —TIFF
Wisit Sasanatieng (Thai วิศิษฏ์ ศาสนเที่ยง, born June 28, 1963 in Bangkok, Thailand) is a Thai film director and screenwriter of Chinese descent. Best known for his colourful debut feature film, Tears of the Black Tiger, he is among a “New Wave” of Thai directors that include Nonzee Nimibutr, Pen-Ek Ratanaruang and Apichatpong Weerasethakul.
Wisit studied at the Faculty of Decorative Arts at Silpakorn University, where he was a classmate of Nonzee Nimibutr and set designer Ek Lemchuen.
He started out as an art director at the Film Factory, where he worked with Pen-Ek Ratanaruang. Among television commercials directed by Wisit was a colorful commercial for Wrangler Jeans that featured Black Tiger star Chartchai Ngamsuan. Wisit continues to work at Film Factory, making commercials (particularly for the MK Restaurants hot pot chain in Thailand) in order to supplement his income in between making feature films. He also is a cartoonist and illustrator.
Wisit entered… read more
Aditya Assarat (Thai: อาทิตย์ อัสสรัตน์, born 1972) is a Thai independent film director, screenwriter, producer and cinematographer.
Aditya Assarat was born in Bangkok. He left Thailand at the age of 15 to be educated in the United States. He studied history at New York University, and it was during that time that he became interested in filmmaking. He went on to earn a master’s degree in film production from the University of Southern California School of Cinematic Arts in 2000.
His graduate thesis film, the 15-minute short, Motorcycle was about a father grieving over the loss of his son in a motorcycle wreck. It was screened at dozens of film festivals, including the Chicago International Film Festival, where it won a Gold Hugo award, the San Francisco International Film Festival, where it won a Golden Gate Award, Aspen Shortsfest, where it was named best short film, and the Shorts International Film Festival in New York City, where it was also named best short film… read more
Pen-Ek studied from 1977 to 1985 in New York at the Pratt Institute and worked as freelance illustrator and designer with Designframe Incorporate. In Thailand he worked for five years as art director, before making his début with Fun Bar Karaoke, that was screened at many festivals after its première in Berlin. —IMDb
A handful of titles that screened in the Contemporary World Cinema program at Toronto this year wound up with entries of their own; those