Nancarrow
8Sep11
whoops...canadian, but might as well be american
I love the fuck out of this one, but Lack's acting makes my head want to explode. He makes for some great reaction shots though.
I would consider this film as Cronenberg's first breakthrough, or at least the strongest and most interesting of his early works, he seems to pick up some of its themes from his 1969 debut Stereo and continues to explore the relations between telepaths, though sometimes overly plot oriented, it never bores.
No início pareceu-me um filme de crítica social. Os Scanners (que têm habilidades telepáticas) são marginalizados pela sociedade que não os entende. Ora, o que é que aconteceu à maior parte dos filósofos, pintores, etc, no seu tempo? There you go. Não é body horror. Há algum gore, bastante inovador, mas aparece esporadicamente. O argumento é brilhante e isto para mim é um clássico.
A fever-trip of a film, complete with a wonderful score that heightens the paranoia to a disorienting level. Highly recommended to fans of Cronenberg and 80's American cinema.
The confrontation between Darryl and Cameron is one of the greatest things I have ever seen.
There are a few interesting ideas and special effects trapped in the midst of a cyclone composed of terrible dialogue, rushed denouements and Stephen Lack being the worst actor who has ever lived.
Great film. Great synth score. Great mood. Character relationships where a little dry and acting was robotic and stale but it suited the film
Cronenberg made more mature, complex films later but this is the film that made me a huge fan of his. Brian De Palma made a similar film a few years earlier (The Fury) but Scanners is a lot more intriguing in my opinion. The special effects were so much more fun in the eighties before CGI came into cinema and this film is no exception. Regarding the actors, Michael Ironside completely steals this film
Sometimes I fantasize about an X-Men film directed by Cronenberg. Then I think of Scanners and realize he's already covered the subject, and then some.
I don't get this movies love. It gives you a plot where the climax (the one exploding head) comes 10 minutes in, and the acting (mainly from the main character) is so laughably bad that you can't even enjoy the effects in the final battle, one of the only cool parts of the film. Important in the Cronenberg canon, but can't even touch some of his higher works like Videodrome, much less his masterpieces.
Ah...early 80's horror by David Cronenberg. How campy and fun. And yet, a much deeper film if one cares to dissect. A must-see for any fans of Cronenberg.
Extremely gory and fun attempt of an action/sci-fi thriller with the usual Cronenberg trademarks such as machinery of evil and horror from within. The creepy Michael Ironside, the exploding head and the final scanner duel make the film worthwhile.