An unforgettable film based on the true story about the horse whose amazing records are still on the books. Penny Chenery agrees to take over the Virginia racing stables of her ailing father, and buys Secretariat, a colt with a famous sire but a not-very-promising track record. With the help of veteran trainer Lucien Laurin, she navigates the perils of the male-dominated business, on the way to seeing Secretariat become the first Triple Crown winner in 25 years. —Abu Dhabi Film Festival
As my doctor says, a horse steak once a month, it's good for the heart but a movie about horses more than once a year is more than I can bear. I have never been very fond of this Hollywood subgenre that tries to transfer the We Can Do It motto in the Animal Kingdom. Recommended though for its culinary impact.
It adheres to the typical model of large-budgeted Hollywood films, circumventing important issues to focus on tried-and-tested formulas of popular cinema. Maybe there is nothing inherently wrong with this film, but it supports and represents what is bad with current Hollywood filmmaking processes. Lane, Martindale and Malkovich's performance's are good, but by no means their best. Enjoyable, I guess, but problematic.
A flim unsure of what it wants to be: "a feel good family film"; "an oscar bait seabiscuit knock off"'; "a female empowerment film", and winds up being just some disney hockum. Not the fault of Lane or Malkovich both whom are quite outstanding here. The film is sunk by its own cliche and terrible use of "inspirational" music. Some fine moments within the races and Lane's characters' determination. A miss.
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A mediocre actress plays a rich white southern woman who is independent and stubborn takes something downtrodden and turns it into a champion all whiLe sticking it to the male establishment. WOW, SANDRA… read review