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Reviews of Secrets & Lies

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lasttim​eisaw

22Mar11

Title: Secrets & Lies
Year: 1996
Country: France, UK
Language: English
Genre: Drama
Director: Mike Leigh
Writer: Mike Leigh
Cast:
Timothy Spall
Brenda Blethyn
Marianne Jean-Baptiste
Phyllis Logan
Claire Rushbrook
Elizabeth Berrington
Lesley Manville
Lee Ross
Rating: 8/10

Arguably this is Mike Leigh’s most popular film as it obtained 5 Oscar nominations (BEST ACTRESS, BEST DIRECTOR, BEST PICTURE, BEST SUPPORTING ACTRESS and BEST ORIGINAL SCRIPT) and the Golden Palm in Cannes that year. I love Leigh’s work very much and I previously watched VERA DRAKE (2004) and NAKED (1993), both brave and extraordinary. Still waiting to watch his recent pictures ANOTHER YEAR (2010) and HAPPY-GO-LUCKY (2008).

The film itself burrows deep into the process of a successful black orphan looking for her birth mother (who is surprisingly set to be a low-class single white woman), arresting its audience with its slow pace of unraveling the backstory of their skin difference and their family. The warm-hearted tone is rare to behold in a Mike Leigh’s film, and the happy ending ambiguously serves to leave its viewers a feel-good impression after the credits’ rolling up. I must admit that it is a smart move, and expands itself to a wider demography.

Surely Leigh’s poignant portrayal of ordinary citizens is his trump card and renders a platform to allow the excellent cast to showcase their kaleidoscopic capabilities and leave its audience mesmerized. the Oscar-nominated mother-and-daughter pair (Brenda Blethyn and Marianne Jean-Baptiste) is deservingly splendid, especially Brenda, I rank her as my win that year, the strength and suffer of her character is so tangible when she is on screen; also Timothy Spall fully exposes his talent for his chubby but charming role as the younger brother of the mother.

It is a wondrous work to make a film handling with a seemingly overreached story in such a fascinating way and even offer some strong aftertaste for us to ruminate, a bravo job!

  • Currently 4.0/5 Stars.
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richmon​dhill

11Feb10

Somewhat more structured and linear than most Leigh dramas with the central story expectedly moving in a confined way; which is more than can be said for the superfluous subplot with Spall’s photographic vignettes merely providing a turn for the actor and adding to the length if not greater understanding of the film.

As ever with this director, the characters are trapped in emotionally impoverished lives without the wit, wisdom or cultural awareness to do much about advancement, so not as emotionally fulfilling as the surface suggests, but it nonetheless contains some appealing performances.

  • Currently 3.0/5 Stars.