Sasha, a young British woman, is living with her baby daughter at Ile d’Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she’s passing through, and pitches her tent in Sasha’s yard. The two women build an odd rapport, and tension builds as events unfold… –IMDb
One of the most provocative and vibrant filmmakers to emerge during the 1990s, French director François Ozon has distinguished himself with dark, mordantly psychological films that draw their impact from Ozon’s frank and often disturbing explorations of transgression and sexuality. Combining wry humor, sensitivity, and subversive insight with a talent for manipulation, Ozon has earned comparisons to Hitchcock and Chabrol, directors whose works have provided ample inspiration for the young director as he has staked out his own, impressive territory in the cinema. Born in Paris in 1967, Ozon became interested in filmmaking at a young age. The son of bourgeois intellectuals, he was influenced by such Hollywood-based European directors as Hitchcock, Max Ophuls, and Jean Renoir, and also found great inspiration in the films of Rainer Werner Fassbinder (one of Fassbinder’s early plays would later inspire Ozon’s Water Drops on Burning Rocks). After earning a master’s degree in cinema, Ozon… read more
this is one of those moments i feel content being a mere spectator. the film is so cold and predictable, you'd like the mother to open her eyes, watch for the red flags. but no, francois wants us to know how we forget reason when we are lonely, too lonely, for our own good, that we don't heed the danger because we long for some company.