Reviews of Shadows
Displaying all 4 reviews
Robert Orlowski
26Jan13
For me what is absolutely stunning about the film is it’s depiction of New York City at the time. From this other successful attributes are ignited. The the authenticity of the film provokes an inherent realism that cannot be reproduced, particularly the conversations and the acting. Furthermore, Cassavetes often times portray these attributes through mini conversation or scenarios which, sometimes are not necessarily connected to the plot but often times clue you in about the culture and race. I could be wrong in my analysis, however, I watched this really stressed out on a plane so who knows, but this is what I got out of it.
- Currently 4.0/5 Stars.
Salem Kapsaski
28Sep09
John Cassavetes vastly improvised and groundbreaking directorial debut still feels amazingly fresh today, Underlined with a fantastic Jazz score by Charles Mingus and saxophonist Shafi Hadi; Shadows takes you into the live of three siblings living in late 50’s New York City. Exploring love, interracial relationships, the struggle to stay true as an artist and the aimlessness and alienation of youth.
A true masterpiece that gets better with each viewing. (5/5)
- Currently 5.0/5 Stars.
Teddy Cheong
25Apr09
Shadows is a fitting title for this film. The film deals with racial tension in a way that disintegrates the concept of ‘race’ as a social construction. The fact that it was made during a period culminating in civil rights affairs only intensifies its advocacy. The movie itself is an exceptional example of filmic jazz, not only in its soundtrack, but also the improvisational form of the entire work. As a result, the entire experience is of a kind that feels as though it’s growing on you.
- Currently 5.0/5 Stars.
Antoine Doinel
2Dec08
I think the most astounding thing about Cassavete’s debut “Shadows”, the scene that emotionally rings true for me (something Cassavete’s totally perfected in his later films) is the one featured in the photograph above, the moment just after Lelia has slept with Tony, she breaks his embrace and sits up, her mood changes as she has realised the weight or “reality” of what she has just done, it is not how she imagined it, Tony tries to “explain” himself to her but she becomes more alienated and childlike – like a lost child. The tone of her voice is quite haunting: “Please don’t touch me. Please don’t touch me, I want to go home.” It is an incredibly powerful scene, one that I haven’t really seen anyone come close to since with regards to the subject matter.
- Currently 4.0/5 Stars.