Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman (Anne Parillaud) recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her husband (William Baldwin), who is trying to help her recover. Which is real is the question as the story unfolds. –IMDb
Chilean filmmaker Raúl, or Raoul, Ruiz (1941-2011) was one of the most exciting and innovative filmmakers to emerge from 1960s World Cinema, providing more intellectual fun and artistic experimentation, shot for shot, than any filmmaker since Jean-Luc Godard. A guerrilla who uncompromisingly assaulted the preconceptions of film art, this frightfully prolific figure – he made over 100 films in 40 years – did not adhere to any one style of filmmaking. He worked in 35mm, 16mm and video, for theatrical release and for European TV, and on documentary and fiction features and shorts. His career began in avant-garde theatre where, between 1956 and 1962, he wrote over 100 plays. Although he never directed any of these productions, he did dabble in TV and filmmaking in the early 1960s. In 1968, with the release of his first completed feature, the Cassavetes-like Tres tristes tigres (1968… read more
A folded examination of the shifting unrealities of a fractured mind disguised as a cheap made-for-cable thriller. Or should that be a cheap made-for-cable thriller disguised as a folded examination of... etc, etc? Either way, Ruiz and Müller have some fun with their witty compositions - lots of fragmented reflections, close-ups, broken images - while everything else remains closer to a run-of-the-mill Shannon Tweed vehicle (which might be deliberate).