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Synopsis

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text — long a favorite in Persia and the Middle East — remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show. –Venice Film Festival

Director

Original

Abbas Kiarostami

Abbas Kiarostami was born in Tehran, Iran, in 1940. He graduated from university with a degree in fine arts before starting work as a graphic designer. He then joined the Center for Intellectual Development of Children and Young Adults, where he started a film section, and this started his career as a filmmaker at the age of 30. Since then he has made many movies and has become one of the most important figures in contemporary Iranian film. He is also a major figure in the arts world, and has had numerous gallery exhibitions of his photography, short films and poetry. He is an iconic figure for what he has done, and he has achieved it all by believing in the arts and the creativity of his mind. —World Cinema Foundation 

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Displaying 4 of 14 wall posts.
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vahid se7en

22Jan12

Sound Architecture

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oldeuboi

16Jan12

A very daring cinema. Kiarostami proves he's simply among the best.

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sandwiches

19Nov11

Contains all of the cinema. One wonders if Kiarostami hasn't taken the medium as far as it can go.

rado and Bleu Poster like this

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    Bleu Poster

    20Dec11

    When I read this before seeing it, I had an impulse to type an angry rebuttal. Now that I have experienced it, I'm not so sure if your words were hyperbolic.

  • Picture of rado

    rado

    23Dec11

    Yes, he's been doing it all the time. "Taste of Cherry", "10", "Certified Copy" and especially "Close-up" are all fully accomplished experiments that push the boundaries of cinema.

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Allan

11Feb11

Go to a Cinema and for 90 minutes turn and face the projector. Does that sound good?

Bleu Poster likes this

  • Picture of Dermo

    Dermo

    10Jul11

    Actually, yes it does!

  • Picture of Bleu Poster

    Bleu Poster

    18Dec11

    Of course! Have the filmic photons enter directly into our retinas sans the medium of the screen.

  • Picture of rado

    rado

    23Dec11

    You can either watch a "normal" film and enjoy a great story or watch "Shirin" and enjoy a great story while getting much more out of the experience. This was kind of his point.

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Articles

Our roundup of essays and articles on this film.
W184

2010: Godard, Malick, Hong, Loach, Kiarostami, Tarr and More

By David Hudson on January 4, 2010

A few previews are already in. At In Contention, Kristopher Tapley lists ten big budget roll-outs he's looking forward to in 2010; the New

read article
W184

Edinburgh International Film Festival 2009: Watching the Watchers ("Shirin," Kiarostami, Iran)

By David Cairns on June 23, 2009

Abbas Kiarostami's Shirin continues his journey into the avant-garde world of Five Dedicated to Ozu, his 2003 excursion into long take minimalist

read article
W184

Edinburgh International Film Festival 2009: Watching the Watchers ("Shirin," Kiarostami, Iran)

By David Cairns on June 23, 2009

Abbas Kiarostami's Shirin continues his journey into the avant-garde world of Five Dedicated to Ozu, his 2003 excursion into long take minimalist

read article

Lists

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Reviews

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ANATOMY OF THE CLOSE-UP: A COMMENTARY ON ‘SHIRIN’ (2008)

By Un Niño on May 26, 2011

Official Review on my site

Abbas Kiarostami is one of those filmmakers…  read review

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