A poor but honest and hardworking waitress from way across the tracks meets and falls in love with a college student from the upper-stuffy class, but the Mama of the intended objects to the romance. Her objections even lead her to having the waitress framed and sent to a prison work-farm for three months. Upon her release, the waitress finds instant stardom in the show business…and the social class she was lacking. Big Mama withdraws her objections. —IMDb
A brisk, well-produced (and shot) yet typically class-conscious Columbia programmer, whose shopworn elements are considerably elevated by a plucky Barbara Stanwyck, warming up for her Baby Face role. Made in less than three weeks, it was the studio's top hit of the year.