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Synopsis

Shortbus follows various New York City characters as they navigate the comic/tragic intersections between sex and love in and around a modern-day polysexual underground salon called Shortbus. Sofia is a sex therapist who has never had an orgasm. She’s been faking for years with her husband Rob. She meets Severin, a female dominatrix who tries to help her. Sofia’s clients include James and Jamie, who are starting to open up their relationship sexually. James suggests a three-way relationship with Ceth ; Jamie is reluctant. James seems to have a hidden agenda. His plans are witnessed by a stalker named Caleb. All the characters converge on Shortbus, a mad nexus of art, music, politics and sex. The film suggests new strategies for reconciling the unique pressures of post-9/11, Bush-exhausted New York City life with questions of the mind, pleasures of the flesh and imperatives of the heart. –Cannes Film Festival

Director

Original

John Cameron Mitchell

John Cameron Mitchell (born April 21, 1963) is an American writer, actor, and director. He is best known for his motion pictures Hedwig and the Angry Inch and Shortbus. He is currently in production for Rabbit Hole starring Nicole Kidman, Aaron Eckhart, Dianne Wiest and Sandra Oh adapted from David Lindsay-Abaire’s play of the same name.

Mitchell’s first professional stage role was Huckleberry Finn in a 1985 Organic Theater adaption at Chicago’s Goodman Theatre. Mitchell’s first New York acting role was Huck Finn in the Broadway musical Big River (1985). He originated the role of Dickon on Broadway in The Secret Garden, and appeared in the original cast of the Off Broadway musical Hello Again. He received Drama Desk nominations for both roles, and can be heard on the original cast recordings for each. (His rendition of the original demo version of “Giants in the Sky” can be heard as a bonus track on the 2007 remastered release of Stephen… read more

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Ryan Nichols

20May12

sex, Yo La Tengo, and Animal Collective are cool things but everything else about this was terrible. especially that ending. i'm impressed i even made it far enough to watch that.

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Molly Epstein

20Mar12

though a sufficient schmorgesborg of queer imagery and sexually explicit fierceness, the editing seemed sloppy and the foundation, though compelling, wasn't solid enough for the themes to be exciting or interesting. it's too bad, so many hotties doing so many hot things.

Zac Zellers likes this

Altero

3Feb12

Justin Bond: As my dear departed friend Lotus Weinstock used to say: “I used to wanna change the world. Now I just wanna leave the room with a little dignity.”

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mondotempesta

9Dec11

Aveva tutte le carte in regola per piacermi, ma niente. Per citare gli Afterhours, "la porta di un segreto con niente proprio in centro". Si salva solo qualche citazione: "E' la prima volta che uno ti canta l'inno nazionale nel culo?" "Il 70% delle donne non raggiunge l'orgasmo" "Il 70% degli uomini è stronzo" "Una volta volevo cambiare il mondo, ora voglio solo lasciare la stanza con un po' di dignità."

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TIFF Report: SHORTBUS Review

By Twitchfilm.com on May 17, 2011
“You are so far behind, you think you are in first,” one character remarks to another in James Cameron Mitchell’s playful new film. Perhaps this his way of addressing the cocky know-it-all-superiority
read on Twitchfilm.com

TIFF Report: SHORTBUS Review

By Twitchfilm.net on July 16, 2010
“You are so far behind, you think you are in first,” one character remarks to another in James Cameron Mitchell’s playful new film. Perhaps this his way of addressing the cocky know-it-all-superiority
read on Twitchfilm.net

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By jaredmo​barak on September 10, 2009

I will start out by saying if you have any reservations about seeing explicit sex depicted on screen, or if you want to watch the explicit sex on display for arousal, don’t see this film. Director…  read review

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