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Synopsis

In 1954, in the midst of the Cold War, U.S. marshal Teddy Daniels and his new colleague Chuck Aule are assigned to find a missing woman named Rachel Solando who was a live-in patient at a psychiatric clinic. The woman is a multiple murderer, and the clinic – Ashecliffe Hospital – is an impenetrable penal institution located on an isle off the coast near Boston known as Shutter Island. How could she disappear from her cell without a trace?

Their investigations don’t exactly get off to a good start. Daniels’ wife has recently died in a fire in their apartment and her husband has been struggling to get a grip on things ever since. The bad weather they encounter as they make the crossing to the island looks as if it’s going to turn into a hurricane, Daniels is seasick, and their first interview with Dr John Cawley is fruitless: Daniels and his partner are confronted by a wall of silence.

The desolate, windswept isle is pervaded by a strange atmosphere, full of odd happenings and secrets. When the hurricane hits, the two policemen find themselves cut off from the mainland. With only the vaguest of leads pointing towards a dark conspiracy involving medical experiments and secret departments, they continue their investigations, in ominous isolation, surrounded by dangerous inmates and no less dubious doctors.

Martin Scorsese’s psychological thriller is based on a novel by Dennis Lehane. When the screenplay was offered to the director he was immediately enthusiastic, for, according to his agent, it reminded him of a silent film classic much admired by the director – The Cabinet of Dr. Caligari. —Berlinale

Director

Original

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

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Displaying 4 of 276 wall posts.
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MCLang89

31Jan12

I thought the movie was pretty well told and do not understand why people find it mind blowing? It was all pretty damn clear therefore not that exciting. Who didn't see that ending coming from the trailer alone? You want a good mind fuck? Go watch Mulholland Dr. That film is crafted better and leaves you using your brain a lot more.

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Nadia

25Jan12

Final minutes of the film and ... WHAT?! I've been fooled during the whole movie! I LOVE THAT!

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Liam Peters

15Jan12

It's so lacking in subtlety that one can't but help be turned off by what is going on. It's like being smacked over the head with a candy cane of image, sound and text book psychology. DiCaprio works hard but the film is too big around him for him to rescue all that is going on. With a twist too easily spotted, Shutter Island once again proves Scorsese's inability to scale back. He should speak to Kore-eda.

Graveyard Poet likes this

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    Graveyard Poet

    11Feb12

    The constant question: "What ever happened to the Martin Scorsese who directed the classics Mean Streets & Taxi Driver?"

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Michael Harbour

13Jan12

Fine performers chewing the scenery in a beautifully made film that can support those performances. This is a film you have to pay attention to at every moment.

Related Films

Fans

Displaying 5 of 3383 fans.

Articles

Our roundup of essays and articles on this film.
W184

Bright Lights 68

By David Hudson on May 2, 2010

Two topics, all-too-often inseparable — politics and horror — course through the veins of the new issue of Bright Lights Film Journal, featuring

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W184

pages from a cold island: ALONE IN THE DARK?

By Neil Young on April 5, 2010

Few films in recent years have yielded such widely differing reactions—among critics and paying punters alike—than Martin Scorsese's Shutter

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W184

Now in Theaters: "Shutter Island" (Martin Scorsese, USA)

By Daniel Kasman on March 13, 2010

As with The Departed, a picture looking ever more prescient and clunkily masterful as time goes on, wherever you try to place Shutter Island

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W184

Topics/Questions/Exercises Of The Week—19 February 2010

By Glenn Kenny on February 19, 2010

Carrying "Marty's" Water: Martin Scorsese's Shutter Island opens in U.S. theaters nationwide today; online, the discussion of the film can

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W184

"Shutter Island" Montage

By Notebook on February 14, 2010

A little taste of the new Scorsese picture. Click here for our review and coverage roundup from the film's premiere at the Berlin International

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W184

Berlinale. Martin Scorsese's "Shutter Island" Review + Roundup

By David Hudson on February 13, 2010

Among the films Martin Scorsese and Leonardo DiCaprio have told Terrence Rafferty (New York Times) and Scott Timberg (Los Angeles Times

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W184

Movie Poster of the Week: "Shutter Island"

By Adrian Curry on January 29, 2010

The stark and gorgeous Japanese poster for Martin Scorsese’s long-awaited Shutter Island eschews the one thing that has dominated the posters

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W184

Tuesday Morning Foreign-Region DVD Report: "Martin Scorsese: Courts-Metrages & Documentaires"

By Glenn Kenny on January 19, 2010

One of the rare moments of grace, refinement and cinephilic interest at last Sunday's Golden Globe Awards was the presentation of the Cecil

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W184

Berlinale, "Lola," Omer Fast, "Sherlock Holmes"

By David Hudson on December 15, 2009

A busier Tuesday than usual. Martin Scorsese's Shutter Island and Roman Polanski's The Ghost Writer are among the first round of seven titles

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Shutter Island: Where Nothing Is What It Seems... OR IS IT?

By Twitchfilm.com on May 17, 2011
Martin Scorsese’s SHUTTER ISLAND introduces us to Teddy Daniels (Leonardo DiCaprio,) a U.S. Marshal in 1954, as he’s ferried to an island off the coast of Massachussetts to solve a missing person’s case
read on Twitchfilm.com

Review: SHUTTER ISLAND

By Twitchfilm.com on May 17, 2011
A character, late into the game of Martin Scorsese’s wonderful Shutter Island, comments on insanity, “It was like an insect in my brain, pulling my strings.”  And there, ladies in gentlemen is how a well
read on Twitchfilm.com

SHUTTER ISLAND review

By Twitchfilm.com on May 17, 2011
Martin Scorsese is commonly referred to as the greatest living American film director – even at times when he doesn’t quite deserve it. To be fair, Scorsese is considerably prolific, involved not just
read on Twitchfilm.com

SHUTTER ISLAND review

By Twitchfilm.net on June 29, 2010
Martin Scorsese is commonly referred to as the greatest living American film director – even at times when he doesn’t quite deserve it. To be fair, Scorsese is considerably prolific, involved not just
read on Twitchfilm.net

Review: SHUTTER ISLAND

By Twitchfilm.net on June 29, 2010
A character, late into the game of Martin Scorsese’s wonderful Shutter Island, comments on insanity, “It was like an insect in my brain, pulling my strings.”  And there, ladies in gentlemen is how a well
read on Twitchfilm.net

Shutter Island: Where Nothing Is What It Seems... OR IS IT?

By Twitchfilm.net on June 29, 2010
Martin Scorsese’s SHUTTER ISLAND introduces us to Teddy Daniels (Leonardo DiCaprio,) a U.S. Marshal in 1954, as he’s ferried to an island off the coast of Massachussetts to solve a missing person’s case
read on Twitchfilm.net

Lists

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Reviews

Displaying 4 of 23

Scorsese misfire.....

By earman on October 9, 2010

Shutter Island seems to have all the right elements for an effective thriller;The right cast,music and direction style,etc… The film is visually stunning but it is all an exercise in the obvious and…  read review

Shutter Island

By Marq on August 6, 2010

Easily my favourite film of the year so far (as of Aug-06-10). Yes, there’s still much to see, but Scorsese really surprised me with this one, which makes me all the more giddy at its greatness. I…  read review

ugghhh

By Marcus WP on July 28, 2010

I gotta be honest, this movie was VERY disappointing. Id expect a movie like this to come from M. Night Shayamalan (predictable “twist”, you can see coming 2 minutes in to the movie). But when you’re…  read review

Folie... de la construction

By hubertg​uillaud on May 12, 2010

Plus que la folie du personnage, qui se dévoile ou qu’on devine rapidement, c’est le montage et le brio – parfois un peu trop appuyé ou démonstratif – de la réalisation qui marque Shutter Island. Cette…  read review

Forum

Displaying 8 discussion topics.

Whatever Happened to Martin Scorsese?

125 posts by 44 people 5 months ago

Shutter Island

306 posts by 63 people 11 months ago

Black and White?

9 posts by 6 people over 1 year ago

Shutter Island, Leo's Sanity

4 posts by 4 people over 1 year ago

Band-Aid?

10 posts by 7 people almost 2 years ago

Glass of water?

11 posts by 10 people almost 2 years ago

Release date and other shinanigans

22 posts by 10 people over 2 years ago