In 1954, in the midst of the Cold War, U.S. marshal Teddy Daniels and his new colleague Chuck Aule are assigned to find a missing woman named Rachel Solando who was a live-in patient at a psychiatric clinic. The woman is a multiple murderer, and the clinic – Ashecliffe Hospital – is an impenetrable penal institution located on an isle off the coast near Boston known as Shutter Island. How could she disappear from her cell without a trace?
Their investigations don’t exactly get off to a good start. Daniels’ wife has recently died in a fire in their apartment and her husband has been struggling to get a grip on things ever since. The bad weather they encounter as they make the crossing to the island looks as if it’s going to turn into a hurricane, Daniels is seasick, and their first interview with Dr John Cawley is fruitless: Daniels and his partner are confronted by a wall of silence.
The desolate, windswept isle is pervaded by a strange atmosphere, full of odd happenings and secrets. When the hurricane hits, the two policemen find themselves cut off from the mainland. With only the vaguest of leads pointing towards a dark conspiracy involving medical experiments and secret departments, they continue their investigations, in ominous isolation, surrounded by dangerous inmates and no less dubious doctors.
Martin Scorsese’s psychological thriller is based on a novel by Dennis Lehane. When the screenplay was offered to the director he was immediately enthusiastic, for, according to his agent, it reminded him of a silent film classic much admired by the director – The Cabinet of Dr. Caligari. —Berlinale
Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more
well made, well acted and for a saturday afternoon highly entertaining. only problem is that it's one of those movies where a lot of internetpeople will tell you that I didn't "get" it because of the last sentence. the last sentence of the movie is the same "open end" fuck up as the bloody spinner in Inception.
I wasted 45 minutes before deciding a further investment of an hour was a bad idea. Edna is v generous with 1 star. Bomb, turkey, dead dodo, dud. Plot of no interest. DiCaprio more wooden than James Stewart. Dialogue almost incomprehensible - I had to put on the subtitles for the deaf but they were illiterate. And why do all "evil doctor villains" have to be played by a Briton? Ben Kingsley looked as bored as I was.
Two topics, all-too-often inseparable — politics and horror — course through the veins of the new issue of Bright Lights Film Journal, featuring
Few films in recent years have yielded such widely differing reactions—among critics and paying punters alike—than Martin Scorsese's Shutter
As with The Departed, a picture looking ever more prescient and clunkily masterful as time goes on, wherever you try to place Shutter Island
Carrying "Marty's" Water: Martin Scorsese's Shutter Island opens in U.S. theaters nationwide today; online, the discussion of the film can
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Among the films Martin Scorsese and Leonardo DiCaprio have told Terrence Rafferty (New York Times) and Scott Timberg (Los Angeles Times
The stark and gorgeous Japanese poster for Martin Scorsese’s long-awaited Shutter Island eschews the one thing that has dominated the posters
One of the rare moments of grace, refinement and cinephilic interest at last Sunday's Golden Globe Awards was the presentation of the Cecil
A fantastic movie of Hitchcockian proportions and more than one nod to the legendary director by Scorcese. You can tell that Scorcese is one of the last dinosaur filmmakers that are the craftsmen of… read review
Shutter Island seems to have all the right elements for an effective thriller;The right cast,music and direction style,etc… The film is visually stunning but it is all an exercise in the obvious and… read review
Easily my favourite film of the year so far (as of Aug-06-10). Yes, there’s still much to see, but Scorsese really surprised me with this one, which makes me all the more giddy at its greatness. I… read review