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Synopsis

Following the smash hit “The Sixth Sense” (1999) and the under-performing follow-up “Unbreakable” (2000), directing phenom M. Night Shyamalan returns to the summer box office landscape that served as the backdrop for his cinematic breakthrough. In “Signs”, another paranormal outing for the writer-director, Shyamalan explores the eerie implications of a 500-foot crop circle that mysteriously appears on the Bucks County, PA farm of reverend Graham Hess (Mel Gibson). As Hess and his family (Joaquin Phoenix, Rory Culkin, Abigail Breslin) try to take stock of what the sign means, and how its message incorporates into their faith, they start to get the feeling they are not alone in the fields behind their house.

Director

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M. Night Shyamalan

Manoj Nelliyattu Shyamalan, known professionally as M. Night Shyamalan, is an Indian-born, American filmmaker and screenwriter, known for making movies with contemporary supernatural plots that climax with a twist ending, (though only a third of his features actually do so). He is also known for filming his movies (and staging his plots) in and around Philadelphia, Pennsylvania, where he was raised. Shyamalan released his first film, Praying with Anger, in 1992 while he was a New York University student. His second movie, the major feature film Wide Awake, made in 1996 but not released until three years later, failed to find financial success.

Shyamalan gained international recognition when he wrote and directed 1999’s The Sixth Sense, which was a commercial success and nominated for six Academy Awards, including: Best Picture, Best Director and Best Original Screenplay. He followed The Sixth Sense by writing and directing Unbreakable, released in 2000, which received mixed reviews… read more

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Lights in the Dusk

24Apr12

I'd call this a transitional work, between the more accessible Bruce Willis movies, and the more hermetic, controversial stuff that he's directed since. Already we've got the move to the countryside, the isolated family marked by grief, the post-9/11 anxiety and the loss of faith; all themes that are further developed in The Village, Lady in the Water and The Happening. Unlike those films, there's nothing to transcend the elements here, no social commentary, no self-awareness, no experimentation with the form, but it works on an immediate level as a fairly modest homage to early Spielberg, if nothing else.

Picture of Ali Ercivan

Ali Ercivan

18Mar12

Even though I don't like its religious subtext, this is a very very well-made film.

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  • Picture of Trevor Tillman

    Trevor Tillman

    12Apr12

    Not sure I would even call it subtext, but actual text, which is my main issue despite some great suspense filmmaking coupled with Shyamalan's knack for domestic drama.

Picture of Trevor Tillman

Trevor Tillman

4Feb12

I don't particularly care for how theistic this movie is. But I did recently read an interpretation that stated that the aliens were actual demons manifested from Rev. Graham's crisis of faith. It makes me want to give the film another look at least.

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Stu Witmer

31Dec11

Signs This movie has more holes than a moth-eaten old coat... and it is about as interesting to watch.

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An Old Coat

By Stu Witmer on December 31, 2011

This movie has more holes than a moth-eaten old coat… and it is about as interesting to watch. If I understand the story, the entire earth has to suffer an alien invasion so Mel can get his faith in…  read review

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