A boy on the northern island of Hokkaido, Japan catches a butterfly from Nagasaki, at the southern end of the archipelago. His teachers think he bought the insect in a department store and lecture him on his fraud. Meanwhile, a larva of that same butterfly embarks on an often comic and always improbable journey from South to North. On that journey the larva appears (on the screen and, it seems, in the person of model/actress Kaga Mariko) juxtaposed with a series of failed love affairs, traumatic war memories, disrupted smuggling operations, and corrupt political plots. The film ends where it begins, in Hokkaido with another butterfly caught in the boy’s net. —japansociety.org
Born in 1930 in Matsuzaka, Mie Prefecture. Joined Iwanami Productions in 1954 as an assistant director, soon becoming a director from 1957 of many documentaries including Hokkaido, My Love (screened at YIDFF ’93). Started his independent career in 1962. Made his first feature, Silence Has No Wings in 1965. Regarded as one of the most prominent filmmakers of the Art Theater Guild in the 1970s, with such masterpieces as The Assassination of Ryoma (1974) and Warming Up for the Festival (1975) earning critical acclaim. After Roningai (1990), Kuroki returned to critical acclaim with his new film Pickpocket in 2000. Currently making his next film, Kirishima 1945. —YIDFF
http://www.bfi.org.uk/whatson/bfi_southbank/film_programme/august_seasons/shinjuku_diaries_films_from_the_art_theatre_guild_of_ja The film will be screened at BFI Southbank as part of Shinjuku Diaries: Films from the Art Theatre Guild season (1st - 31st Aug) Screening on 4th introduced by Roland Domenig
This was a pretty slick feature, not sure if it was Kuroki's first, however. Some scenes near the first half were WAY TOO akin to Antonioni, but they were almost so self-consciously so that I wonder if it was a mere parody of Antonioni. If so, then they got it right. But towards the second half, the magic started brewing, and a tale of social critique started to form. Well-made.