The filmmaking team behind Open Water, which screened at the 2004 Sundance Film Festival, are back this year with Silent House, a hauntingly choreographed descent into madness based on the Uruguayan film La casa muda.
Sarah returns with her father and uncle to fix up the family’s longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home.
Filmmaking duo Chris Kentis and Laura Lau once again confront the face of fear in this enthralling psychological thriller. Impressively captured with a continuous camera shot, Silent House tracks the growing panic of its enigmatic lead, Elizabeth Olsen, who’s trapped in an unnerving nightmare. Never ones to be limited by a challenging production, Kentis and Lau mastermind a truly unique horror experience with immediate intimacy and unsettling terror. –Sundance Film Festival
Not since The Blair Witch Project has there been such a viscerally horrifying performance in the horror genre, Elizabeth Olsen's terror is infectious and impressive. Claustrophobic camera work only adds to the audience's sense of impending doom. Save for the end, which is a bit hackneyed, Silent House serves up some genuine thrills.
First, let me say it's a little kooky and we have been here before, but... Never like this. It is a wild ride. Apparently, it is one shot from beginning to end, and the camera goes everywhere. It's breathless. And scary, well really creepy. I was impressed by star, Elizabeth Olsen, she conveys the proper sense of fear. It is a thrill ride and if you like this sort of thing, jump on and scream your ass off! Aieeee!
Really enjoyed this one. I thought the suspense was terrific, and although the twist was in part predictable for me, I thought it was well done. Excellent camera work. Also, Olsen greatly outshines her sister duo in the acting department.
Meh. The twist works no better here than it did in *High Tension*. Can appreciate the "continuous take" experiment, but there's really not much else worth mentioning. (Also, the performance of the actors playing the father and uncle are just, um, not good.)
Elizabeth Olsen passes this acting exercise with flying colors in a film designed to look as though it were shot in one take (and pretty obviously was shot in a series of very, very long takes as “Rope”… read review