The rites and rituals of the Merja people—an ethnic minority of Finno-Urgric extraction originally from the Volga region of Russia—form the backbone of this lyrical, sensual and dreamlike film about love and loss. After his beloved wife Tanja dies, pulp factory CEO Miron calls on his best friend Aist to help him with his final goodbye. With water as a key element, director Aleksei Fedorchenko beautifully weaves the myths and traditions of this vanishing culture into his poetic film. The result is a melancholy and mystical journey following the complex and twisting currents of the human heart. –SFFS
Purely artistic, poetic Russian mood piece, about the dying rituals of a practically forgotten small community on Lake Nero. Shot in floating long takes, told in the barest of minimalist voice over and flashbacks, the film looks and feels like the last memory of a cold, small, yet profound existence.
Fedorchenko explores the disappearing Merjan culture of Russia, its customs and burial rituals. Fascinating and beautifully executed, except for an ending that seems more like an afterthought and overshadows everything that came before. Still worth the watch.
Getting way more attention than it deserves. It's got some pretty pictures but it's otherwise a complete mess. J. Hoberman is out of his skull.
Haunting Russian drama about 2 men bound by the same woman, on a journey to give her a proper burial. Nods to Tarkovsky, lost hopes, and faded dreams converge in this eerily effective study on grief. Weak ending aside, it feels remarkably lived in - a melancholy testament to humanity's quest for immortality.
“More” meaning: Happy, Happy, I Don’t Know How She Does It and My Afternoons with Margueritte.
"There's a voiceover buzzing through Alexei Fedorchenko's brief, impressionistic, and sentimental Silent Souls," writes Michael Koresky in
1052 Silent Souls (Aleksei Fedorchenko, Russia) As I recall, there’s a great piece by Claude Chabrol (“the late,” can you believe
Shane Danielsen opens his latest dispatch from Venice to indieWIRE "with something breathtaking: the Russian film in competition, Alexsi