When a ‘Single White Female’ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her. —IMDb
Barbet Schroeder’s Swiss geologist father was on assignment in Iran when he was born. After a globe-trotting childhood, Schroeder was educated at the Sorbonne; then, like half the under-30 population of France (or so it seemed), he became a movie critic. Brief jobs as a jazz concert producer and news photographer followed before Schroeder went to work as an assistant for one of his role models, French director Jean-Luc Godard. In 1964, the 22-year-old Schroeder set up his own film production company, Les Films du Losange. Among the many prominent pictures produced by Schroeder include director Eric Rohmer’s “Moral Tales” La Collectioneuse (1966), My Night at Maud’s (1969), and Claire’s Knee (1970). Schroeder himself turned director with 1969’s More, gaining critical attention with several unorthodox documentaries. With the American film Barfly (1987), Schroeder established himself as a prime purveyor of “slice of life” drama — albeit entertaining enough to please the crowd. Oscar nominated… read more
Minor but fun Schroeder; SWF however still holds today in some interesting ways (cinematography, NYC: swf vibe/energy/wardrobe) while at the same time feeling incredibly dated (plot twists, male cast) in others. Definitely a movie a lot of my friends were talking about when we were too young to talk about it. A time capsule and a precursor of the creepiness of Craigslist, and the ubiquitousness of Apple computers.