A modern, gothic tale of crime and redemption about an aging police officer from a small Ontario Mennonite town who hides a violent past until a local murder upsets the calm of his newly reformed life.
The soundtrack was the best part, and fit the film well.. The story was lacking but the acting was fine, I wish Stormare would've shoved Plimpton in a wood chipper in the end.
This has everything that I hate in indie movies. The lazy skeleton of a story (never a compelling one), the absurd overuse of slo-mo to give the illusion of a personal touch (ha!). But the worst thing when watching this garbage (besides the squandering of good actors) is the omnipresent feeling that it has absolutely nothing to tell.
Well made. Director said that Atom Egoyan's suggestion, in particular for editing, illuminated him. Film presents a mood rather then a story. Snow and music are very important.
Low budget, independent Canadian mood piece, mixing the drudgery of small town provincial life with police murder procedural, religious hypocrisy, and haunting power folk ballads. The inclusion of the always welcome Peter Stormare (as a rage-a-hol, shlubby police chief obsessed with a murder, amongst other things) is one of the obvious nods to "Fargo", a lofty target, but not entirely unattainable.
Roundup of the New York Asian Film Festival, the new issue of Film Quarterly, and more.