Paparazzi might be the norm in our celebrity-infested times, haphazardly snapping every movement of the rich and famous. Ron Galella, though, is the original paparazzo. He elevated the celebrity snapshot into art and, at 78, remains a stalwart in the business. Dogged in his quest to photograph celebrities in unguarded moments, he defines his passion for his work by the ups and downs of his career—documenting the parade of stars at a thriving Studio 54 and having the dubious honor of being sued by Jacqueline Kennedy Onassis (his favorite subject) and having his jaw broken by Marlon Brando.
Leon Gast (When We Were Kings) masterfully profiles Galella and places him at the center of the debate about the First Amendment right to privacy. Galella’s work and tactics have their critics, but his influence is undeniable. In a career defined by perseverance, he has created some of the most lasting, iconic photographs of our times. —Sundance Film Festival
Robert Duvall and Bill Murray, Kevin Kline and Paul Dano, Steve Carell and Paul Rudd. None of them are in Brett Haley's The New Year, but they
"In two days, two documentaries about paparazzi have screened at Sundance," writes Karina Longworth in Voice Film. "One, Smash His Camera