On a cold afternoon, with snow on the ground, the high school band is practicing for the last football game. They hear shots. Flashback a few weeks before. Arthur is a high school student, bussing at a restaurant. Annie and Barb are waitresses there – Annie was Arthur’s babysitter when he was little. She’s now separated from her husband Glenn, who’s on the wagon, starting a new job, praying to Jesus, and trying to prove he has his balance back so he can see more of their small daughter, Tara. Annie’s seeing someone else, Arthur’s parents have just separated, and Arthur is attracted to Lila, a new student at the high school. It’s a small town, people’s lives cross. —IMDb
David Gordon Green (born 9 April 1975) is an American filmmaker.
His films, which are usually coming-of-age tales set in small rural towns, have been categorized as belonging to the Southern Gothic tradition. Green’s dialog often has an obtuse, semi-poetic quality.
While in university, he made the two short films, Pleasant Grove and Physical Pinball, at the North Carolina School of the Arts prior to his feature film debut in 2000, the critically-acclaimed George Washington, which he both wrote and directed. He followed that in 2003 with All the Real Girls and Undertow in 2004. In 2007, Snow Angels, his first film created from a screenplay rather than his own writing, was adapted from a Stewart O’Nan novel. The film debuted at Sundance in January 2007 and stars Sam Rockwell and Kate Beckinsale. It was released by Warner Independent Pictures.
Green was set to direct a film version of the John Kennedy Toole novel… read more
Michael Angarano (Arthur) was the highlight of the film, a likeable fellow. The soundtrack was pretty good, as well. And I liked the saying that Nate tells Annie: "Yesterday is history. Tomorrow's a mystery. Today is a gift, that's why we call it the present."
One thing I can't get over about this movie is that, when the little girl goes missing, and it's all snowy outside .. no one considers that her footprints would be all over the place!
When film critics fawn over this seeming “independent” and “working-class” blip of cinematic art, don’t be naive. David Green is but a young man who has too early granted himself the luxury — indeed… read review
Finally I have seen a David Gordon Green film. After all the praise I’ve heard based on his previous efforts, it almost came to the point where my first experience might have been his forthcoming Seth… read review