Ground control has been receiving strange transmissions from the three remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he experiences the strange phenomena that afflict the Solaris crew, sending him on a voyage into the darkest recesses of his own consciousness. In Solaris, legendary Russian filmmaker Andrei Tarkovsky creates a brilliantly original science fiction epic that challenges our preconceived notions of love, truth, and humanity itself. —The Criterion Collection
One of the most important artists of the second half of the twentieth century, Tarkovsky was one of the few unqualified masters in the history of film. While he certainly wasn’t the only great director of his generation of Soviet filmmakers, he was, like Eisenstein was to an earlier generation, its most renowned and most influential.
The son of artists- actress Maria Ivanovna and poet Arseni Tarkovski— he studied both Arabic and geology before turning to film. He enrolled at VGIK in 1959, directed the acclaimed short The Steamroller and the Violin in 1960 and won the Golden Lion at the Venice International Film Festival for his first feature, Ivan’s Childhood, in 1962. By the time he completed his second feature, Andrei Rublev, he was regarded by many as “a poet of the cinema” – and by the Soviet censors as dangerously esoteric. Unreleased in the Soviet Union until 1971 (and then only in a truncated version), Andrei Rublev was seen first at international festivals and widely… read more
Potentissimo,di grande impatto emotivo.Per molti aspetti un capolavoro,a partire dalla regia praticamente perfetta,ai campi e alla fotografia che creano in pratica delle tele ad olio,fino ai dialoghi di una bellezza disarmante.L'unico difetto(ammesso che lo sia) è la difficoltà di assimilazione.Non è un film per tutti,ma un'opera cinematografica riservata a chi ne sa cogliere le infinite sfumature.Onore a Tarkovsky.
The most spiritual outer-space movie of all time. Closer to Dreyer and Bresson in its meditation on faith and belief (non-religious) than with Kubrick. No other filmmaker has accomplished the isolation of space and time in cinema as Tarkovsky has (Resnais, Antonioni?).A classic to be reminisced and frequently revisited. Soderbergh's remake is 'Hollywood decent' but unnecessary.
A stunning Polish poster for a little known Jules Verne adaptation leads to greater riches.
On the occasion of what would have been Andrei Tarkovsky’s 80th birthday, Adrian Curry looks back on the best posters for his films.
Pilot Pirx is hired to command a space mission in which one or more humanoid robots will be among his crew. But can they be trusted?
Movie Poster of the Week is excited to be unveiling the exclusive world premiere of the newest poster from the man who may be the hottest designer
This coming Saturday, Not Coming to a Theater Near You presents Jia Zhangke's rarely screened 2007 documentary, Useless, at the 92Y Tribeca
Jean Luc-Godard's "late period has repeatedly demonstrated an interest in a critical cinema, an art that interrogates itself by giving form
Czech movie poster design often takes a back seat to the amazing Poles, and its golden age (the 1960s and early 70s) was a lot shorter, but
Steven Shaviro has been working on a book, Post-Cinematic Affect, which will be out later this year from one of the liveliest and most
Nessa resenha, eu irei apenas listar os momentos que mais me surpreenderam e alguns que não consegui interpretar o significado:
- O cientista Burton no trânsito – o filme gasta uns bons minutos… read review
This was one of my most anticipated films of my Criterion Collection. It had been built up a lot, and it succeeded in most regards to living up to its high praises. It’s one of those films you walk… read review
“What a great movie, and what a twist ending! That last scene was like something out of the best episodes of The Twilight Zone!” leads to “…Come to think of it, that whole movie seemed sort of like… read review