Solitude at the End of the World

Carlos Casas studied Fine Arts, Cinema and Design between Barcelona and Vienna. In 1998 he was awarded a scholarship in Fabrica, Benetton’s media and communication research center. In 2000 his short Film Afterwords, produced by Marco Müller and Fabrica Cinema was selected by The Venice Film Festival, Rotterdam Film Festival and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine, he travelled to Patagonia to do a fieldwork that later 2002 became a 24min Patagonia, in 2003 he developed a 52min documentary Rocinha. Daylight of a favela shot on location in one of the biggest favelas in Rio de Janeiro. In 2004 he finished Aral. Fishing in an invisible sea about the life of the
three remaining generation of fishermen in the Aral sea, which won the Best Documentary award at Torino Film Festival 2004 and was
selected by the Rotterdam Film Festival 2005, Visions du reel Nyon 2005, One World Prague 2005 and Documenta Madrid 2005, where it
received the Special Mention from the Jury. In May 2005 he finished a 52min version of the Patagonia research Solitude at the end of the
world which received the Special Prize from the Jury at the Buenos

Aires International Film festival 2006. Hunters since the beginning of time, the last chapter of a trilogy of films dedicated to the most
extreme environments in the world (Patagonia, Aral, Siberia), won the Best Documentary award at Mexico International Film Festival
2008. In February 2010 Cineteca Mexicana presented for the first time a retrospective of the End Trilogy. In June 2010 Hangar Bicocca in Milano presented END a comprehensive exhibition of the trilogy. He is currently working on a film about a cemetery of elephants on the
borders between India and Nepal. –Fabrica