Based on Eric Fenby’s 1936 memoir ‘Delius as I knew him’, it traces the last years of Frederick Delius, and Fenby’s dedication in giving up five years of his life to helping the blind, paralysed composer set down the unfinished scores he could hear in his head. Perhaps the finest of the series of biographical films that Ken Russell made for the BBC in the Sixties, Song of Summer is an immensely moving story of sacrifice, idealism and musical genius.
British director Ken Russell started out training for a naval career, but after wartime RAF and merchant navy service he switched goals and went into ballet. Supplementing his dancing income as an actor and still photographer, Russell put together a handful of amateur films in the 50s before being hired as a staff director by the BBC. Russell made a name for himself (albeit a name not always spoken in reverence) during the first half of the ‘60s by directing a series of iconoclastic TV dramatizations of the lives of famous composers and dancers. And if he felt that the facts were getting in the way of his story, he’d make up his own — frequently bordering on the libelous. If he had any respect for the famous persons whose lives he probed, it was secondary to his fascination with revealing all warts and open wounds.
A film director since 1963, Russell burst into the international consciousness with 1969’s Women in Love, a hothouse version of the D.H. Lawrence novel. No director… read more
No baroque extravaganza this, but a wonderfully focused chamber piece that slips under the skin with quiet determination with something very tangible to say about duty, honour and a dormant creative process. Crisply photographed and handled with a deft economy of touch, this is probably Russell's finest biopic eliciting a fine trio of performances.