Sound Barrier

United States

2005

114 Min

Color

English

Currently 3.9/5 Stars.
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SCR Amir Naderi, Abou Farman, Heather Murphy

CAST Charlie Wilson, Frank Glacken, Louise Flory

ED Amir Naderi

Tribeca (Spotlight), Vancouver (American Independence)

Synopsis

Legendary filmmaker Amir Naderi had the audacity to compose his sixteenth film of only two scenes, plus a brief prelude and epilogue. Out of this massive risk has come an undeniable masterpiece, Sound Barrier. An 11-year-old boy, Jesse, travels from Manhattan with a letter and a key to a Queens storage unit. In this tiny room, he searches for an audiocassette recording of his deceased mother. Desperate to hear her voice, he hopes she will provide clues to their past and himself. But even if he finds the tape, Jesse will face another obstacle. He is both deaf and mute. Working with such a minimal story, Naderi has succeeded in expanding the boundaries of cinema farther than any of his contemporaries. Yet he never forgets the essential human emotions that so powerfully entangle the viewer with Jesse and his quest, and that is what makes watching this film such a profoundly rewarding experience. Charlie Wilson delivers an impressive debut performance as Jesse, and rising New York cinematographer Michael Simmonds heightens each moment with his unique and brilliant compositions. Sound Barrier challenges the viewers very existence, and forces you to question any and all limits. Through the determination of Jesse, the film provides hope and inspiration to begin life anew-to break the sound barrier. –Tribeca Film Festival

Director

Amir Naderi

Amir Naderi (Persian: امیر نادری, born 15 August, 1946 in Abadan) is a notable Iranian film director, screenwriter and one of the most influential figures of 20th-century Persian cinema.

Naderi developed his knowledge of cinema by watching films at the theater where he worked as a boy, reading film criticism, and making relationships with leading film critics. He began his career with still photography for some notable Iranian features. In the 1970s, Naderi turned to directing, and made some of the most important features of the New Iranian Cinema. In 1971, his directorial debut, Goodbye Friend was released in Iran. Mr. Naderi first came into the international spotlight with films that are now known as cinema classics, The Runner (1985), and Water, Wind, Dust (1989). The Runner is considered by many critics to be one of the most influential films of the past quarter century. After a number of his films were banned by the Iranian government… read more

Amir Naderi (Persian: امیر نادری, born 15 August, 1946 in Abadan) is a notable Iranian film director, screenwriter and one of the most influential figures of 20th-century Persian cinema.

Naderi developed his knowledge of cinema by watching films at the theater where he worked as a boy, reading film criticism, and making relationships with leading film critics. He began his career with still photography for some notable Iranian features. In the 1970s, Naderi turned to directing, and made some of the most important features of the New Iranian Cinema. In 1971, his directorial debut, Goodbye Friend was released in Iran. Mr. Naderi first came into the international spotlight with films that are now known as cinema classics, The Runner (1985), and Water, Wind, Dust (1989). The Runner is considered by many critics to be one of the most influential films of the past quarter century. After a number of his films were banned by the Iranian government, Mr. Naderi left the country. Expatriating to New York, Mr. Naderi continued to produce new work. He was named a Rockefeller Film and Video fellow in 1997, and has served as an artist in residence and instructor at Columbia University, the University of Las Vegas, and New York’s School of Visual Arts. His U.S. films have premiered at the Film Society of Lincoln Center/MOMA’s New Films New Director’s series, the Venice, Cannes, Sundance and Tribeca Film Festivals. His last feature, Sound Barrier (2005) won the prestigious Roberto Rossellini Prize at the Rome Film Festival.

Due to smaller distribution and advertising budgets, Mr. Naderi’s films are not as well known as most Hollywood films. Despite that and the lack of recognizable actors in most of his films, his work tends to find distribution (mainly in Europe and Japan), and he has earned a great deal of critical acclaim. Mr. Naderi’s films and photography are also frequently the subject of retrospectives at major festivals and museums throughout the world. Lincoln Center in New York, the city that has been his home for the past 20 years, offered a complete retrospective of his work in 2001, as did the International Museum of Cinema in Turin, Italy in 2006. The most recent retrospective of his work was screened at the Pusan International Film Festival, the largest in Asia. Mr. Naderi has served as a jury member of international film festivals for over a decade. —Wikipedia

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