In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff. –IMDb
The son of famed animator Max Fleischer (Popeye, Betty Boop et. al.), Richard O. Fleischer was a psychology student at Brown University when he dropped out in favor of the Yale Drama Department. At age 21, Fleischer organized a campus theatrical troupe called the Arena Players. In 1942, he went to work for RKO-Pathe in New York, editing the company’s weekly newsreels before producing and directing his own short-subject projects, including the March of Time-like This is America and a series of gagged-up silent-film vignettes titled Flicker Flashbacks. In 1946, he headed to Hollywood, there to direct feature films for Pathe’s parent studio, RKO Radio; his last short-subject effort was the Oscar-winning Design for Death (1948). At first limited to “B” pictures, Fleischer gained a loyal critical following with such topnotch films as Follow Me Quietly (1949) and The Narrow Margin (1952).
Perhaps sensing that RKO was on its last legs, Fleischer moved on to MGM, then to Walt Disney… read more
Distopic movies are not the best kind for me, but this one is quite well-done. Absurd and yet so clear about its convictions and critics, Soylent Green keeps you thinking for a very long time about the way development's been seen in our society and how shallow seem to be the thoughts about it.
Just a few details of life in New York in 2022: The world is so crowded people might be sleeping on your fire escape. A pint of strawberries will cost over a hundred bucks. You'll have to ride an exercise bike for twenty minutes to power your one light bulb in your one room apartment. Hey—I've had Soylent Yellow and it's not bad, really. Don't knock it until you've tried it.
A kaleidoscopic sample of film music: impossible fantasies, lush atmospheres, epic operas, sophisticated seductions.
I thought the movie was just average, although the cast promised to delvier a good movie. Joseph Cotton has just a brief appereance and you can see the late Edward G. Robinson in his last appereance… read review