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Synopsis

Peter Parker can’t seem to catch any kind of break. Being Spider-Man has brought him nothing but problems as far as his personal life is concerned. Not only that, Mary Jane Watson is engaged to astronaut John Jameson, and Peter may lose her forever. Things are so bad for him that he is pushed past his breaking point, so he decides that he doesn’t want to be a super hero anymore, until a freak accident transforms Dr. Otto Octavius into Dr. Octopus, a super-villain with four metal tentacles protruding from his torso. Peter realizes that only Spider-Man can stop him but, of course, problems arise. Mary Jane gets caught in the middle, and Harry Osborn, who still blames the web-slinger for the death of his father Norman Osborn, also the Green Goblin, wants him dead. Spider-Man will have to push himself past his limits if he’s going to survive. —IMDb

Director

Original

Sam Raimi

Samuel Marshall “Sam” Raimi (born October 23, 1959) is an American film director, producer, actor and writer. He is best known for directing cult horror films like the Evil Dead series and Drag Me To Hell, as well as the blockbuster Spider-Man films and the producer of the successful TV series Hercules: The Legendary Journeys and Xena: Warrior Princess.

Raimi became fascinated with making films when his father brought a movie camera home one day and he began to make Super 8 movies with childhood friend Bruce Campbell. In college, he teamed up with his brother’s roommate Robert Tapert and Campbell to shoot Within the Woods (1978), a 32-minute horror film which raised $350,000, as well as the short comedic film It’s Murder!. Through family, friends, and a network of investors Raimi was able to finance production of the highly successful horror film The Evil Dead (1981) which became a cult hit and effectively… read more

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Displaying 4 of 15 wall posts.
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Sean

20May12

I believe this is better than the first one, so intense with that train fight scene, and Doc Ock's trainsformation is pretty great too. Felt the acting was a lot better than the first, Toby steps it up a bit I think.Pretty awesome film

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Guido B

23Oct11

I don't expect much from a superhero movie beyond basic entertainment. Iron Man, Batman Begins, X-Men First Class are all better than average. But Spider-Man 2 is the only one that actually transcends the genre. This is a very cleverly scripted movie with real stakes disguised as a superhero movie.

le tigre and Panji like this

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Panji

28Aug11

My standard for superhero movie!

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Jack Lehtonen

27Aug11

What separates the Spider-Man films from other superhero films is their sheer, naked earnesty. Everything, from Maguire's performance to Raimi's camera is emotionally honest and attuned to Spider-Man. The middle chapter represents the peak film, a moving and occasionally poetic take on responsibility and heroism, sandwiched between the giddy origin story of the first film, and the melancholy redemption of the third.

Trevor Tillman and 4 others like this

Josh Hansen, Seth Farmer, Greg S., johnsonisjohnson

  • Picture of johnsonisjohnson

    johnsonisjohnson

    28Aug11

    How much are you willing to bet that the reboot will be as boring and forgettable as The Incredible Hulk?

  • Picture of Jack Lehtonen

    Jack Lehtonen

    28Aug11

    With Marc Webb at the helm, I'm pretty sure you're right. It'll be boring in an entirely different way.

  • Seth Farmer

    18Nov11

    There will be indie music.

  • Picture of Trevor Tillman

    Trevor Tillman

    5May12

    Is it cool to hate on Marc Webb or something? I thought he showed a lot of promise with his first flick. The interviews I've read with him on The Amazing Spider-Man have me very hopeful that a unique voice will be present in the picture, which is more than what could be said for most of Marvel's output (Raimi's films not included).

  • Picture of Jack Lehtonen

    Jack Lehtonen

    15May12

    I though (500) Days of Summer was gimmicky and occasionally cruel, while also remaining bland. So not a big fan here

  • Picture of Trevor Tillman

    Trevor Tillman

    20May12

    I'll give you the gimmicky part. But when the movie became about taking life by the balls in the third act, I thought it was really uplifting. And I related to how it depicted the main character's changing perspective of the same incidences over time, how it stayed subjective with Tom, and used the form to juxtapose those different perspectives side by side. Mostly it just spoke to me as a guy who's gone through more than my share of heartbreak. It just needs less cartoony shit and title cards. I doubt The Amazing Spider-Man will be so gimmicky.

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