Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter’s old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father’s persona as The New Goblin, and Peter must also capture Uncle Ben’s real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter’s suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter’s personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself. —IMDb
Samuel Marshall “Sam” Raimi (born October 23, 1959) is an American film director, producer, actor and writer. He is best known for directing cult horror films like the Evil Dead series and Drag Me To Hell, as well as the blockbuster Spider-Man films and the producer of the successful TV series Hercules: The Legendary Journeys and Xena: Warrior Princess.
Raimi became fascinated with making films when his father brought a movie camera home one day and he began to make Super 8 movies with childhood friend Bruce Campbell. In college, he teamed up with his brother’s roommate Robert Tapert and Campbell to shoot Within the Woods (1978), a 32-minute horror film which raised $350,000, as well as the short comedic film It’s Murder!. Through family, friends, and a network of investors Raimi was able to finance production of the highly successful horror film The Evil Dead (1981) which became a cult hit and effectively… read more
Never was much of a Spiderman fan in pulp or cinematic form, but this one was really the pits. Rami borrowed liberally from near and far giving us a regurgitated action movie with the oddest of super-villains: Thomas Hayden Church and Topher Grace. Come on, Sammy you can do better than this.
Really weird blockbuster. The Venom storyline was a mistake, and lacked any of the dramatic heft present in Spider-Man 2. But the Harry Osborne thread was the best thing in all three films, excellently supported by Franco's great performance. The Sandman was handled surprisingly well, aided by another good Church performance. A compromised film, but more ambitious, emotional, and worthwhile than most superhero films.
Cet ultime opus de la trilogie de Raimi côtoie certainement le très bon comme le franchement très ridicule. De plus, la démesure dans les méchants contre lesquels le héros fait face n’arrange pas grandement… read review
SPIDER-MAN 3 is easily the weakest of the series, mainly because it tries to do too much at once, finding itself weighed down with too many characters and hammy thematic exploration. While most found… read review