To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.
Born in Shanghai to Cantonese parents, but raised in Chaoyang, Shantou, Guangdong, Cai Chusheng worked in low-level positions in several small studios during the 1920s, before eventually joining Mingxing Film Company as a director’s assistant to Zheng Zhengqiu, another Chaoyang-native. Cai later joined the Lianhua Film Company where he directed a handful of mainstream popular films including Spring in the South and Pink Dream (both 1932). He would not cement his reputation as a leading leftist filmmaker until after the Japanese attack in 1932, when Cai, like many of his colleagues, shifted towards increasingly progressive or leftist filmmaking. This shift can be seen in output after 1932, including the class-struggle dramas Dawn Over the Metropolis (1933), Song of the Fishermen (1934), and the proto-feminist New Women (1934), which starred Ruan Lingyu. Song of the Fishermen, for example, was a major box office success in Shanghai where it played for 87 days, and… read more